"The Kon-Tiki Man Theme - Synth. Version" by Film Symphony Orchestra, Ragnar Bjerkreim had its release date on 1993. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 38 in the song's album "The Kon-Tiki Man (Thor Heyerdahl) [Soundtrack]". In this album, this song's track order is #37. Furthermore, we believe that the track originated from Norway. The popularity of The Kon-Tiki Man Theme - Synth. Version is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Kon-Tiki Man Theme - Synth. Version by Film Symphony Orchestra, Ragnar Bjerkreim having a BPM of 160 with a half-time of 80 BPM and a double-time of 320 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ostrava: Ostrava | Rudolf Kubín, Film Symphony Orchestra, Otakar Pařík | G Major | 3 | 9B | 87 BPM | ||
| Winter Night | Mario Pettenati | C Minor | 2 | 5A | 68 BPM | ||
| Whispers in the Shadows | AI Creations | E Major | 3 | 12B | 78 BPM | ||
| Cantos para Sordos | Las Eternas | E♭ Major | 3 | 5B | 81 BPM | ||
| Sencillamente Espectacular | Hasta El Final | G Major | 2 | 9B | 97 BPM | ||
| Sensaciones Globales | Ninfas De Ultramar | E Major | 2 | 12B | 90 BPM | ||
| Alpine Lake | Philipp Alexander Geitmann | C Minor | 2 | 5A | 111 BPM | ||
| Aspects on Civilisation | Film Symphony Orchestra, Ragnar Bjerkreim | A♭ Major | 2 | 4B | 76 BPM | ||
| Fantasias Irrechazables | Sirenas Celestiales | F Minor | 1 | 4A | 76 BPM | ||
| Your green harp | Jalaapeno | F Minor | 0 | 4A | 70 BPM | ||
| Lament for Cello & Orchestra | Simon Hussey | F Minor | 2 | 4A | 72 BPM | ||
| Two of a Kind | Celtroya | B♭ Major | 3 | 6B | 137 BPM | ||
| Signor Abate, WoO 178 - Strings Version | Classical Music for Cats | B Minor | 2 | 10A | 77 BPM | ||
| Estrategia | Armonias | C Major | 1 | 8B | 140 BPM | ||
| Muy Cercanos | Armonias | C Major | 1 | 8B | 139 BPM | ||
| Piráti z Fortunie: "Part II." | Oldřich František Korte, Film Symphony Orchestra, Kühn Mixed Choir, Libor Pešek, Pavel Kühn, Marcela Králová, Milada Čejková, Jiří Cerha, Karel Černoch | C Major | 1 | 8B | 134 BPM | ||
| The Highlights | Adam Marsh | G Major | 4 | 9B | 100 BPM | ||
| Purpose | Orion King | B♭ Minor | 3 | 3A | 85 BPM | ||
| Vandring Gjennom Natta | Film Symphony Orchestra | C Major | 1 | 8B | 85 BPM | ||
| Dark Hooks | Konfusia Clayman, Konfusi Clayton | B Minor | 3 | 10A | 120 BPM | ||
| Nellys sommarvisa | Fredrik Hiller | B♭ Minor | 2 | 3A | 94 BPM | ||
| Realmente Convincente | Sirenas Celestiales | C Minor | 0 | 5A | 80 BPM | ||
| Secretos por Confesar | Ninfas De Ultramar | D Minor | 1 | 7A | 77 BPM | ||
| Opciones Multiples | Las Guerreras | F Major | 1 | 7B | 131 BPM | ||
| Una Historia Maravillosa | Ninfas De Ultramar | G Minor | 1 | 6A | 110 BPM |