Rita Reys, The Jazz Messengers's 'You'd Be So Nice To Come Home To' had a release date set for January 1, 1957. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "The Cool Voice Of Rita Reys". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Netherlands. You'd Be So Nice To Come Home To is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With You'd Be So Nice To Come Home To by Rita Reys, The Jazz Messengers having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sweet Jesus | celina suku | F Minor | 3 | 4A | 131 BPM | ||
| The Lady Is A Tramp | Susannah McCorkle | D Major | 3 | 10B | 137 BPM | ||
| On The Street Where You Live | Alexis Cole, Bucky Pizzarelli | F♯ Minor | 4 | 11A | 144 BPM | ||
| Angel Flying Too Close to the Ground | Jami Templeton | G Minor | 2 | 6A | 92 BPM | ||
| After You've Gone | Rita Reys, Bengt Hallberg | E♭ Major | 4 | 5B | 142 BPM | ||
| Starlit Drift | Azure Ensemble | D Minor | 2 | 7A | 183 BPM | ||
| Arder nuevamente | Eterna Ceniza | B♭ Major | 3 | 6B | 100 BPM | ||
| Smoky Atrium | The Pastel Hour | F Minor | 3 | 4A | 72 BPM | ||
| Monochrome Reverie | Crying Mirror | E♭ Major | 3 | 5B | 73 BPM | ||
| Diamond Smile | Timeless Tone | F Minor | 2 | 4A | 117 BPM | ||
| Shutter Waltz | walkin around jazz | F♯ Major | 5 | 2B | 120 BPM | ||
| Sin escalas | Ravexon | B♭ Major | 3 | 6B | 100 BPM | ||
| My Town And Me | Soesja Citroen, Michael Moore | A Minor | 3 | 8A | 124 BPM | ||
| Undecided | Beverly Kenney | C Major | 3 | 8B | 174 BPM | ||
| Candle and Snow | Timeless Tone | C Major | 1 | 8B | 67 BPM | ||
| Start our romance | Edwige Morgen, Laurent De Wilde | F Minor | 3 | 4A | 87 BPM | ||
| Go Away Little Boy | Ann Burton, Louis Van Dijk, Piet Noordijk | C Major | 3 | 8B | 122 BPM | ||
| Mirage | Joel Evans & Friends | B Minor | 1 | 10A | 126 BPM | ||
| Autumn Leaves - Live At Singer Concertzaal, Laren / 1961 | Rita Reys, Pim Jacobs Trio, Kenny Clarke | D Minor | 1 | 7A | 122 BPM | ||
| Le tue mani | Jazzitalyando Trio | F♯ Major | 6 | 2B | 83 BPM | ||
| Piazza Rain | Still Geometry Jazz | E Minor | 4 | 9A | 178 BPM | ||
| Charcoal Sketch | Still Geometry Jazz | B♭ Major | 4 | 6B | 80 BPM | ||
| Deadbolt Guesthouse | Rosalie Jazz | B♭ Minor | 3 | 3A | 62 BPM | ||
| Dancing in Between | Manhattazz | E♭ Major | 3 | 5B | 110 BPM | ||
| A Place In The Sun (Movin' On) | Freddy Cole | F Major | 3 | 7B | 84 BPM |