Rekha Rani's ' "Banaras Wali Saariya" was released on its scheduled release date, May 25, 1999. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rekha Rani's "Marad Mehanga Bujhata" album is number 2 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, Banaras Wali Saariya is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Banaras Wali Saariya by Rekha Rani to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dimple Disko Jaake | MANOJ TIWARI, Shobha Mukherjee | F Major | 5 | 7B | 134 BPM | ||
| Hamra Marad Chahi Horn Dabawewala | Indu Sonali | B Minor | 5 | 10A | 82 BPM | ||
| Dilli Sarkar Hilela | Kalpana | B♭ Minor | 8 | 3A | 148 BPM | ||
| Aav Peel Jawani Ke Jaam | Rekha Rani | A♭ Major | 10 | 4B | 117 BPM | ||
| Koyal Bin | Sharda Sinha | D♭ Major | 5 | 3B | 145 BPM | ||
| khadrai Ranso | Deep Khadrai | F♯ Major | 9 | 2B | 128 BPM | ||
| Jump Mare Jobna Hamar | Rekha Rani | E Major | 7 | 12B | 140 BPM | ||
| 76 ke Kesh | Chand Jee | C Major | 8 | 8B | 130 BPM | ||
| Chadhal Ba Jawani | Rekha Rani | A♭ Minor | 8 | 1A | 122 BPM | ||
| Sab Re Radua Chalo Bhopal | Jittu Khare Badal | D♭ Major | 9 | 3B | 112 BPM | ||
| Haye Bathne Reeniya Re | Nati King Kuldeep Sharma, Rajeev Negi | B♭ Major | 10 | 6B | 144 BPM | ||
| Shaan e Ghayaal | Arun Justa | A♭ Major | 10 | 4B | 208 BPM | ||
| BAHIYA ME KASI KE SAIYA | Manish Lal Yadav, Neha Raj | F Major | 10 | 7B | 123 BPM | ||
| Babua Dm Hoehe | Karina Pandey | E♭ Minor | 7 | 2A | 81 BPM | ||
| Mehar Gor Mile Ya Kali Magar Chhinar Na Mile | Ram Nath Upadhyay | C Minor | 9 | 5A | 79 BPM | ||
| Tohar Bahini Chinar | Ragini Vishwakarma | E Major | 9 | 12B | 123 BPM | ||
| Sil Kab Tuti | Sakal Balamua | B Minor | 10 | 10A | 160 BPM | ||
| Begusaray Ke Chhauda Rangdar Chahi Ge | Bihari Babu | A Minor | 10 | 8A | 170 BPM | ||
| Banke Sawaali Main Bhee Bah Gayaa | Madan Anand, Rekha Rani | G Minor | 10 | 6A | 170 BPM | ||
| Ham Kunware Rahi Gayleen | Dhananjay Singh, Kavita Yadav, Angad Ram Ojha | E Major | 9 | 12B | 146 BPM | ||
| Jalvoneyan dhola | Bahadur Bhardwaj | E Minor | 10 | 9A | 119 BPM | ||
| Gujriye | Hemant Sharma | D Major | 9 | 10B | 142 BPM | ||
| Chirgana Pa Gayil Maal Bada Dhasu | Dinesh Lal Yadav Nirahua, Khushboo Raj | D♭ Major | 8 | 3B | 125 BPM | ||
| Are Mere Lulhu Toye Barah Na Bhulu | Usha Shastri | F Minor | 9 | 4A | 112 BPM | ||
| Ye Raja Bara Gham Lagata | Chandan Diwana | C Major | 10 | 8B | 130 BPM |