On May 1, 2019, the song "Ohi Malin Bakhariya" was released by Ravindra Singh Jyoti. This song is about six minutes long, preciously at 6:09, making this song fairly long compared to other songs. The track order of this song in Parul Nanda, Ravindra Singh Jyoti, Shikha Mishra's "Mai Ke Muratiya" album is number 5 out of 10. On top of that, India appears to be the country where this track was created. In terms of popularity, Ohi Malin Bakhariya is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Ohi Malin Bakhariya by Ravindra Singh Jyoti to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chhau Tore Charan Me Pran | Dilip Darbhangiya | F♯ Minor | 9 | 11A | 130 BPM | ||
| Chilam Se Dhuiya Asmanma Ude | Aashish Yadav | G Major | 9 | 9B | 87 BPM | ||
| Leelan Maro Tejal Singare | Mahaveer Sankhla | D♭ Major | 9 | 3B | 139 BPM | ||
| Adahul Ke Phool | Ravindra Singh Jyoti | F Major | 9 | 7B | 120 BPM | ||
| Baap Ke Kamai | Rupali Gupta | F Major | 7 | 7B | 75 BPM | ||
| Polwa Par Ke Bolwa Chhaura Ho Jatau Jahiya Fuse Re | Santosh Nandan Yadav, Usha Yadav | C Minor | 10 | 5A | 89 BPM | ||
| Bish Khawaiya Mayrala | Emon Khan | F♯ Major | 6 | 2B | 136 BPM | ||
| Nas Nas Me | Diwakar Dwivedi | F Minor | 10 | 4A | 112 BPM | ||
| Aaibo Baraatiya Chhondi Dj Leke Sarzan Ke | Umesh Raj Yadav, Manita Shree | C Minor | 10 | 5A | 89 BPM | ||
| Mere Banke Bihari Ne Bulaya | Sadhvi Purnima | E♭ Minor | 9 | 2A | 140 BPM | ||
| Maiya Darbaar | Rajeev Yadav, Srishti Bharti | D Major | 9 | 10B | 145 BPM | ||
| Ham Sharabi Hue To Kya | Vikas Chaturvedi | B♭ Minor | 10 | 3A | 154 BPM | ||
| Birosa Badle Hind Mandave | Sayar Khan Dangri | C Major | 10 | 8B | 144 BPM | ||
| Pagali Pagla Dele | Sannu Kumar | G Minor | 9 | 6A | 90 BPM | ||
| Thara Dil Me To Me Hi Cho | Samay Singh Peelwal | F♯ Minor | 10 | 11A | 80 BPM | ||
| पांच गांव पांडवा ने देदो बाकी राज तुम्हारा | Jeta Goswami | A♭ Minor | 9 | 1A | 150 BPM | ||
| Mharo Karobar Thore Nam Su Chale | Viru Nehad | B Minor | 9 | 10A | 164 BPM | ||
| Yaad Badi Tu Aavelu | Radhe Shyam Rasiya | A♭ Minor | 7 | 1A | 76 BPM | ||
| Barsata Pani Jawani | Indu Sonali, Alok Kumar | A♭ Minor | 8 | 1A | 190 BPM | ||
| Na Laihon Utaraai | Ravindra Singh Jyoti | F♯ Minor | 8 | 11A | 136 BPM | ||
| Dolma Ya Ho | Kedar Negi | A♭ Major | 10 | 4B | 150 BPM | ||
| Hamar Photwa Re Pagla | Aashish Yadav, Anjali Bharti | A Major | 9 | 11B | 87 BPM | ||
| Chunar Odh Lo Gora Rani Rajwadi | Sukhdev Bharti | F Minor | 9 | 4A | 84 BPM | ||
| U Nagariya Dhanya Ba | Ravindra Singh Jyoti, Shikha Mishra | G Major | 10 | 9B | 140 BPM | ||
| Tilak Leke Manga | Munna Raja, Sunita | G Major | 8 | 9B | 87 BPM |