Koshinder, Rishipal's ' "Indraparsth Ke Apman Ka Part 5" was released on its scheduled release date, January 3, 2021. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 7 in Dropati Cheer Haran (Kissa Mahabharat) Vol 2 by Koshinder. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Indraparsth Ke Apman Ka Part 5's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Indraparsth Ke Apman Ka Part 5 by Koshinder, Rishipal is Allegro (fast, quick, and bright), since this song has a tempo of 144 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hariyar Doliya Me Lalka | Bharat Sharma | E♭ Minor | 7 | 2A | 149 BPM | ||
| Gulab Jamun Bhail Ba Gaal | Ravina Raj, Sudhir Lal Yadav | A Minor | 9 | 8A | 73 BPM | ||
| Baawri Bhajan (feat. Renu kumar) | Kala Ram, Renu Kumar | A♭ Major | 7 | 4B | 171 BPM | ||
| Karun Bali Ne Kar Rakhi | Mainpal Baseda, Satpal Dosa | E♭ Minor | 6 | 2A | 76 BPM | ||
| Main Aayo Goga Medi Pe | Ramavtar Sharma | A Minor | 5 | 8A | 123 BPM | ||
| Naar Chadh Gayee | Surinder Shinda, Harneet Neetu, Gulshan Komal | C Major | 9 | 8B | 170 BPM | ||
| Dil Jale Ashiq | Ghulam Hussain Umrani | F♯ Major | 10 | 2B | 137 BPM | ||
| मेहँदी की महक Mohabbat Kam Nhi Hoti | Juned Sultani, Deewana Sound | F♯ Major | 7 | 2B | 192 BPM | ||
| Meri Nikli Jaye Jaan | Attaullah Khan | F Major | 7 | 7B | 141 BPM | ||
| Mai Thare Bin | Koshinder, Rishipal | B Major | 4 | 1B | 125 BPM | ||
| Siyaram Jay Ram Jay Jay Ram | Chintu Sewak | C Major | 8 | 8B | 105 BPM | ||
| Mane Satguru Milwa Ro Lago kod Umed Geri Laag Rahi | Bhagwat Suthar | E♭ Minor | 8 | 2A | 153 BPM | ||
| Jeean Dunya Khe Be Andaz | Rajab Faqeer | E♭ Major | 6 | 5B | 120 BPM | ||
| Mai Hala Hala Ke Hari | JaiSingh Raja, Roshani Patel | F♯ Major | 8 | 2B | 151 BPM | ||
| Jatt Shounqi Peenda | Amrik Toofan, Harjeet Mattu | D♭ Minor | 6 | 12A | 94 BPM | ||
| Mainu Karke Parai | Dharampreet | A♭ Minor | 6 | 1A | 145 BPM | ||
| Ab Meri Bhan Pavansut Tuti | Surjan chaitanya | A♭ Minor | 6 | 1A | 121 BPM | ||
| Kalamdaan Khadiya Magvaye | Surjan chaitanya | A♭ Minor | 6 | 1A | 121 BPM | ||
| Thare Ghat Mein Biraje Bhagwan | Jagdish Palana | B♭ Minor | 7 | 3A | 120 BPM | ||
| Guru Gorakh Ka Chela Re Mayi | Koshinder, Rishipal Khadana | A♭ Major | 7 | 4B | 143 BPM | ||
| Tame Kadiya Badiya Chhadiya | Hariprabodham | E♭ Minor | 6 | 2A | 77 BPM | ||
| Khiraj Dada | Balveer Ranveer Joda Bhai | D♭ Minor | 9 | 12A | 132 BPM | ||
| Raychand Ji | Ray Chand, Champa Methi | D Minor | 9 | 7A | 110 BPM | ||
| Kaye Baithe Mann Maare | Deshraj Pateriya, Savita Parwati, Ramkripal Ray | E♭ Major | 7 | 5B | 148 BPM | ||
| Ha Man Tuhinje Bina Kujh Ba Ta Nahiyan | Rajab Faqeer | B Major | 6 | 1B | 136 BPM |