Kumar Bapi's 'Hata Thari Mate' had a release date set for July 9, 2021. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Hata Thari Mate's duration is considered a little bit shorter than the average duration of a typical track. The song is number 23 out of 25 in All Time Ratha Jatra Best Bhajans by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Hata Thari Mate is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Hata Thari Mate by Kumar Bapi is Vivace (lively and fast), since this song has a tempo of 168 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Saante Ho.. | Anjali Mishra | A Minor | 8 | 8A | 148 BPM | ||
| Tu Para Mo Aakhira Anjana | Namita Agrawal | F Major | 9 | 7B | 120 BPM | ||
| Kalasire Ganga Jala | Anusuya Nath | G Minor | 6 | 6A | 121 BPM | ||
| MANKI HAVELI ME MOHAN PAYA | NIDHO DHOLKIA | C Major | 6 | 8B | 88 BPM | ||
| Narendra Pokhari Tutha Khasada | Md.Aziz | A♭ Major | 7 | 4B | 140 BPM | ||
| Baunsa Khandie | Manasi Patra | G Major | 7 | 9B | 117 BPM | ||
| Jamuna Jibaku Hoichhi Mana | Sricharan Mohanty | F Major | 8 | 7B | 170 BPM | ||
| MUKTI MADE KE NA MALE | NITIN DEVKA-NIDHO DHOLKIA | G Major | 5 | 9B | 126 BPM | ||
| Baba Babare Bhida | Anasuya Nath | G Major | 7 | 9B | 81 BPM | ||
| Aei Mora Sesa Gita | Babul Supriyo | C Minor | 6 | 5A | 126 BPM | ||
| Kandhei Lo Suna Kandhei | Suresh Wadekar | B♭ Minor | 6 | 3A | 75 BPM | ||
| Jab Bin Bolein Milta - Raj Pareek | Raj Pareek | D♭ Major | 5 | 3B | 92 BPM | ||
| Dina Bandhu He Krupa Sindhu He | Md.Aziz | G Major | 8 | 9B | 168 BPM | ||
| Lal Bindia | Santanu Sahu, Rabi Ratan | F Major | 9 | 7B | 82 BPM | ||
| Shyam Teri Ungli Ne | Vandana Bhardwaj | D♭ Major | 7 | 3B | 140 BPM | ||
| Sai Bhajan - Sai Leela Ghadlaya Shirdit | Mangesh Shirke | A♭ Major | 8 | 4B | 85 BPM | ||
| Nainan Mein Shyam Samayo | Vandana Bhardwaj | D♭ Major | 7 | 3B | 140 BPM | ||
| Sei Sorisa Phulara Pathe | Namita Agrawal | E♭ Minor | 7 | 2A | 95 BPM | ||
| Akhiyan Yeh Roye Baba | Sanjay Mittal | C Major | 7 | 8B | 125 BPM | ||
| Mai Hose Diwani | Mamta Chandrakar, Sonu Nigam | B♭ Minor | 9 | 3A | 59 BPM | ||
| Bhukhal Piyasahal Ghatiya Ayiel Bani | Pawan Singh | B♭ Minor | 5 | 3A | 120 BPM | ||
| Kie Basichhi | Sailabhama | F Minor | 8 | 4A | 77 BPM | ||
| Kalia Hue Gela | Md.Aziz | F♯ Major | 8 | 2B | 121 BPM | ||
| Madhaba He Madhaba | Anup Jalota | A♭ Minor | 8 | 1A | 144 BPM | ||
| Mayad Baap | Chaitanya Dadhich | G Minor | 4 | 6A | 93 BPM |