"So-Crates" by Continuum had its release date on October 5, 2009. This song is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. There are a total of 11 in the song's album "Till It Bleeds". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, So-Crates's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With So-Crates by Continuum having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Farewell, My Lovely | David Shire | E♭ Minor | 3 | 2A | 102 BPM | ||
| Tristeza Dos Dois | Bernardo Sassetti | C Minor | 0 | 5A | 69 BPM | ||
| Quietude | Edom Oliveira | D Minor | 2 | 7A | 133 BPM | ||
| Her | Stan Getz | A Minor | 2 | 8A | 81 BPM | ||
| Moonlight Heartbreak Bass Choir | John Patitucci | E Minor | 2 | 9A | 82 BPM | ||
| Subliminal Subplot - Original Mix | Continuum | F♯ Minor | 6 | 11A | 111 BPM | ||
| Set of 5 Take-offs, Scene Episode | Charles Ives, Joel Sachs, Continuum | B♭ Minor | 1 | 3A | 129 BPM | ||
| Palhaco | Charlie Haden, Jan Garbarek, Egberto Gismonti | A♭ Major | 0 | 4B | 78 BPM | ||
| Uma História Simples | Rodrigo Leão | A♭ Major | 1 | 4B | 62 BPM | ||
| Cancionero Sefardi: Una matica de ruda | Roberto Sierra, Continuum, Cheryl Seltzer, Joel Sachs | E♭ Major | 1 | 5B | 89 BPM | ||
| Classifieds | Thomas Newman | B Minor | 3 | 10A | 64 BPM | ||
| Pastorale | Brendan Eder Ensemble | B Major | 3 | 1B | 72 BPM | ||
| 6 Casual Developments: VI. Allegretto con moto | Henry Cowell, David Krakauer, Joel Sachs, Continuum | D Minor | 1 | 7A | 150 BPM | ||
| Smile - Love Theme and Closing Title | Charlie Chaplin, Alfred Newman | D Minor | 1 | 7A | 137 BPM | ||
| When It Rains | Brad Mehldau | E Major | 6 | 12B | 123 BPM | ||
| Violin Sonata: III. Tempo di Valzer | Virgil Thomson, Mia Wu, Cheryl Seltzer, Continuum | F Major | 0 | 7B | 80 BPM | ||
| Der Ring: From "Das Rheingold": Vorspiel | Edo de Waart | E♭ Major | 0 | 5B | 124 BPM | ||
| Blanche | Ray Heindorf | F Minor | 1 | 4A | 176 BPM | ||
| Violin Sonata: IV. Andante - Doppio movimento | Virgil Thomson, Mia Wu, Cheryl Seltzer, Continuum | F Major | 0 | 7B | 80 BPM | ||
| Leaving New Orleans | Roger Suen | E Minor | 2 | 9A | 91 BPM | ||
| Xtend - Domestic Science Remix | Continuum, Domestic Science | B♭ Major | 2 | 6B | 119 BPM | ||
| Philadelphia (From "Philadelphia") | Neil Young, Richard Stoltzman | F Major | 0 | 7B | 87 BPM | ||
| Nardis | Kronos Quartet, Eddie Gómez | E Minor | 1 | 9A | 119 BPM | ||
| Hostile Takeover | Jugga The Bully, Continuum, Kno of Cunninlynguists | B Minor | 7 | 10A | 94 BPM | ||
| The Two Of Us | Mark Isham | G Minor | 2 | 6A | 49 BPM |