Frances Black's 'Since You're Gone' had a release date set for July 1, 1995. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "The Sky Road". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Ireland. The popularity of Since You're Gone is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Since You're Gone by Frances Black having a BPM of 179 with a half-time of 90 BPM and a double-time of 358 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Summer Girls | Ralph McTell | A Major | 7 | 11B | 175 BPM | ||
| Drink to Me Only with Thine Eyes | Heidi Talbot, John McCusker | C Major | 1 | 8B | 119 BPM | ||
| The Last Rose of Summer | Eleanor McEvoy | E Major | 6 | 12B | 109 BPM | ||
| What Colour Is the Wind | Charlie Landsborough | B♭ Major | 3 | 6B | 85 BPM | ||
| The Town I Loved so Well | Onóir | B♭ Major | 2 | 6B | 92 BPM | ||
| Beautiful Affair | Stockton's Wing | G Major | 7 | 9B | 81 BPM | ||
| The Water Is Wide | Niamh Parsons | D Major | 1 | 10B | 109 BPM | ||
| After the Ball | Arcady | D Major | 1 | 10B | 83 BPM | ||
| Song for Ireland (1988 Version) | Mary Black | D Major | 1 | 10B | 180 BPM | ||
| We Had It All | Ronnie Drew, Eleanor Shanley | D Major | 7 | 10B | 155 BPM | ||
| May the Road Rise to Meet You | Cathie Ryan | A Major | 1 | 11B | 118 BPM | ||
| Softness Remains | Matilde Guirish | A Major | 1 | 11B | 92 BPM | ||
| September Sky | Louise Morrissey | B Major | 5 | 1B | 133 BPM | ||
| Last Drop of Sunshine | J SHOES 5 | D Major | 3 | 10B | 81 BPM | ||
| Old Church Hymns & Nursery Rhymes | Beth Nielsen Chapman | G Major | 4 | 9B | 134 BPM | ||
| Tequila Sunset | Ralph McTell | A Major | 7 | 11B | 175 BPM | ||
| Cry of a Dreamer | Sean Tyrrell | D Major | 3 | 10B | 49 BPM | ||
| Tennessee Waltz (Imagine) | Eva Cassidy | A♭ Major | 0 | 4B | 83 BPM | ||
| In My Life | Eleanor Shanley | D Major | 3 | 10B | 91 BPM | ||
| The Old Man | Finbar Furey | B♭ Major | 4 | 6B | 172 BPM | ||
| Meant to Be | Mary Fahl | F♯ Major | 1 | 2B | 138 BPM | ||
| Fragile Wishes | Eleanor McEvoy | A Major | 1 | 11B | 90 BPM | ||
| My Dearest Dear | Lumiere | E Major | 6 | 12B | 143 BPM | ||
| The Banks of the Sweet Primroses | Seamus Begley, Damien Dempsey | E Major | 2 | 12B | 132 BPM | ||
| Just Another Town | Johnny Duhan | C Major | 3 | 8B | 94 BPM |