"Hold On Hold On (feat. Chan Marshall & Sean Lennon)" by Marianne Faithfull, Chan Marshall, Sean Ono Lennon had its release date on November 10, 2008. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Hold On Hold On (feat. Chan Marshall & Sean Lennon)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 18 in Easy Come Easy Go by Marianne Faithfull. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Hold On Hold On (feat. Chan Marshall & Sean Lennon) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Hold On Hold On (feat. Chan Marshall & Sean Lennon) by Marianne Faithfull, Chan Marshall, Sean Ono Lennon is Lento (slowly), since this song has a tempo of 48 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Last Kind Words | David Johansen, Larry Saltzman | C Minor | 2 | 5A | 108 BPM | ||
| Modern Love | The Last Town Chorus | C Major | 2 | 8B | 117 BPM | ||
| Broken English | Marianne Faithfull | C Major | 5 | 8B | 122 BPM | ||
| Palaces of Montezuma - Barry Adamson Remix | Grinderman, Barry Adamson | E Major | 9 | 12B | 104 BPM | ||
| Queen Of LA | Glüme, Sean Ono Lennon | C Major | 9 | 8B | 155 BPM | ||
| Christobel | Joan As Police Woman | E Minor | 8 | 9A | 89 BPM | ||
| My World Is Empty Without You | Diamanda Galás | G Minor | 2 | 6A | 86 BPM | ||
| In a Broken Dream | Kathryn Williams | F♯ Minor | 2 | 11A | 75 BPM | ||
| Visions Of Johanna | Marianne Faithfull | B♭ Major | 2 | 6B | 85 BPM | ||
| Strange Crossroads | Organoclorados | E Minor | 7 | 9A | 128 BPM | ||
| El President | Drugstore | A♭ Major | 6 | 4B | 148 BPM | ||
| Oh, My Girl | Jesse Sykes & The Sweet Hereafter | A Minor | 4 | 8A | 96 BPM | ||
| Falling At Your Feet (with Bono) | Daniel Lanois, Bono | B Major | 3 | 1B | 120 BPM | ||
| Some Days I Drink My Coffee by the Grave of William Blake | The The | A Minor | 5 | 8A | 108 BPM | ||
| Mack the knife | Kurt Weill, Marianne Faithfull, Vienna Radio Symphony Orchestra | F♯ Major | 4 | 2B | 83 BPM | ||
| Leaving the Table | Leonard Cohen | C Major | 2 | 8B | 75 BPM | ||
| Dead Radio | Rowland S. Howard | A Minor | 6 | 8A | 110 BPM | ||
| Bring 'Em All In | Mike Scott | B Major | 4 | 1B | 106 BPM | ||
| Kiss the Wind | Mike Scott | D Major | 1 | 10B | 95 BPM | ||
| Rich Kid Blues | Marianne Faithfull | G Major | 2 | 9B | 92 BPM | ||
| Whatever You Please | The Dream Syndicate | D Major | 5 | 10B | 113 BPM | ||
| December Sunlight | The The, Liz Horsman | F Major | 3 | 7B | 116 BPM | ||
| The Part You Throw Away | Tom Waits, Ute Lemper, Alfredo Pedernera, Evan Lurie, Jill Jaffe, Jay Berliner, John Beal | F Minor | 2 | 4A | 104 BPM | ||
| Trumpets - Radio Session | The Waterboys | G Major | 7 | 9B | 130 BPM | ||
| Honky Tonkin' | The The | B♭ Major | 2 | 6B | 100 BPM |