Parshad UttamBhagat, Hemant Joshi's ' "Maya Krushnen Nihatah Shlok 3 In 1" was released on its scheduled release date, February 27, 2020. With This song being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 4 in Aagahi Shlokas by Parshad UttamBhagat, Hemant Joshi, Chorus. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Maya Krushnen Nihatah Shlok 3 In 1 is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Maya Krushnen Nihatah Shlok 3 In 1 by Parshad UttamBhagat, Hemant Joshi is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sankatmochan Hanuma Ashtakbajrang Baan | Suresh Wadkar | D♭ Major | 7 | 3B | 93 BPM | ||
| Shrimad Vallabh Kaho | Manoj Dave, Deepal Gajjar, Maitreyee Vyas | D♭ Major | 5 | 3B | 157 BPM | ||
| Timli Dhamaka Part 3 | Rajal Barot, Bharat Pagi | B Major | 7 | 1B | 119 BPM | ||
| Geet Tere Nayan De Main Gawan | Raja Harrison | E♭ Major | 3 | 5B | 88 BPM | ||
| Bhawani Stuti | Saurabh Mehta | B Major | 7 | 1B | 140 BPM | ||
| Harijan Sacha Re Je UrMa Himmat | Sadhu Yogipremdas | B Minor | 5 | 10A | 99 BPM | ||
| Parvati Mata Aarti | Varsha Srivastava | D♭ Major | 7 | 3B | 95 BPM | ||
| Viro Maro Jagmag Thay | Lalita Ghodadra | F♯ Minor | 9 | 11A | 94 BPM | ||
| Jai Adhyashakti Aarti | Bipin Sathiya | F Minor | 5 | 4A | 104 BPM | ||
| Kya Kahiye Kich Kahi Na Jaye | Bhai Premniwaj Singh, Bhai Premhans Singh, Bhai Nirmal Singh Khalsa Pipli Wale, Kirtan Studio | E Major | 4 | 12B | 90 BPM | ||
| Kemre Bhuliy Swami Upkar Apna | Swaminarayan Aksharpith | C Minor | 4 | 5A | 104 BPM | ||
| Chamunda Maa Ni Aarti | Raghuveer Kunchala, Meena Patel | E Minor | 7 | 9A | 95 BPM | ||
| Patni Praapti Mantra | Jitender Singh | D♭ Major | 5 | 3B | 110 BPM | ||
| Karo Rab Di Hun Wadeayi | Raja Harrison | F♯ Major | 5 | 2B | 117 BPM | ||
| Aale Aale Ho Ganpati (Male) | Firoz Ali | C Major | 6 | 8B | 105 BPM | ||
| Chant the Name of the Lord | Veer Manpreet Singh | D♭ Major | 3 | 3B | 140 BPM | ||
| Aaj Mare Orde Re Aavya Avinashi Albel-Pad 02 | Hemant Joshi, Gurukul Balvrund | E♭ Major | 4 | 5B | 123 BPM | ||
| Angan Utsav Bani Aavo Shrinathji | Hasmukh Patadiya | G Major | 7 | 9B | 108 BPM | ||
| Hu Mukt Chhu 01 | Anmol Khatri | F Minor | 5 | 4A | 80 BPM | ||
| Shree Mahakali Chalisa | Hemant Chauhan | G Major | 6 | 9B | 89 BPM | ||
| Maere dil ne yahee baat dil sae kahee | Brahma Kumaris | D♭ Major | 3 | 3B | 149 BPM | ||
| Naman Hu Karu Visvapal Ne | Swami Shree Chhapaiyaprakashdasji | F♯ Major | 4 | 2B | 138 BPM | ||
| Es Tan Dhan KO Kia GarBaiya | Sant Onkar Singh Ji | F Major | 7 | 7B | 95 BPM | ||
| He Bhaya Madal Vagad Ghadik | Jashvant Rathva | F Minor | 7 | 4A | 110 BPM | ||
| Chatak Rangilo | Harikrishna Patel | E Minor | 9 | 9A | 80 BPM |