I Wish We Were Robots's ' "Nothing Left to Give" was released on its scheduled release date, January 24, 2014. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in I Wish We Were Robots's "I Wish We Were Robots" album is number 6 out of 11. On top of that, Turks and Caicos Islands appears to be the country where this track was created. Based on our statistics, Nothing Left to Give's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Nothing Left to Give by I Wish We Were Robots to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sounds Delicious | This Romantic Tragedy | A Major | 9 | 11B | 140 BPM | ||
| Secrets | I Wish We Were Robots | F♯ Minor | 9 | 11A | 129 BPM | ||
| To The End | Lovehatehero | E Minor | 10 | 9A | 95 BPM | ||
| Fightin' Words | Casino Madrid | D♭ Major | 10 | 3B | 157 BPM | ||
| The Walls Between Us | Paddock Park | G Minor | 9 | 6A | 174 BPM | ||
| Call Me Sick Boy | Hopes Die Last | E Minor | 9 | 9A | 98 BPM | ||
| The Wrong Way Out | I Wish We Were Robots | B Major | 9 | 1B | 95 BPM | ||
| Suspects, Alibis and Partners in Crime | Chasing Victory | F♯ Major | 10 | 2B | 174 BPM | ||
| Open Your Eyes | I Wish We Were Robots | B Minor | 9 | 10A | 135 BPM | ||
| New Skin | Arms Like Yours | A♭ Minor | 10 | 1A | 141 BPM | ||
| Adrian Makes It Rain | Everyone Dies In Utah | F♯ Major | 9 | 2B | 145 BPM | ||
| The Gunslinger | Settle The Sky | F♯ Major | 10 | 2B | 147 BPM | ||
| Days Run Long | Mikoto | D♭ Major | 10 | 3B | 97 BPM | ||
| Ocean Consumes Vessel | Chidori | A Major | 9 | 11B | 160 BPM | ||
| The Mapmaker | Jamie's Elsewhere | D♭ Minor | 10 | 12A | 175 BPM | ||
| Only Our Faces Hide | Beloved | D Major | 10 | 10B | 173 BPM | ||
| Prince Without Crown | Claps for Caroline | G Major | 10 | 9B | 110 BPM | ||
| Dead Inside | One Year Later | A Minor | 10 | 8A | 155 BPM | ||
| Hell or High Water | Before Their Eyes | A Major | 9 | 11B | 180 BPM | ||
| Lost Without You | Alive Like Me | C Minor | 10 | 5A | 167 BPM | ||
| Oneonethousand | Burden Of A Day | D Minor | 10 | 7A | 138 BPM | ||
| Help Me To Help You | Capture | C Minor | 10 | 5A | 158 BPM | ||
| 'Til Death | Capture | B Minor | 9 | 10A | 101 BPM | ||
| Her Voice in the Wire | Bullets & Belvedere | A♭ Major | 10 | 4B | 81 BPM | ||
| Redeeming A Monster | Broadway | G Major | 10 | 9B | 180 BPM |