"In My Life" by Renée Fleming, Fred Hersch had its release date on January 1, 2005. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Renée Fleming's "Haunted Heart (with bonus track)" album is number 7 out of 15. On top of that, United States appears to be the country where this track was created. In terms of popularity, In My Life is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of In My Life by Renée Fleming, Fred Hersch to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Entreveo | Daniel Ariño, Mercedes Gancedo | B Major | 1 | 1B | 73 BPM | ||
| A Chloris | Reynaldo Hahn, Véronique Gens, Susan Manoff | E Major | 1 | 12B | 133 BPM | ||
| Der Rosenkavalier, Op. 59 / Act 1: "Hat Sie schon einmal mit einem Kavalier" | Richard Strauss, Renée Fleming, Sophie Koch, Franz Hawlata, Munich Philharmonic Orchestra, Christian Thielemann | A♭ Major | 3 | 4B | 126 BPM | ||
| Susannah / Act 2: "The trees on the mountain" | Carlisle Floyd, Renée Fleming, Metropolitan Opera Orchestra, James Levine | G Minor | 1 | 6A | 169 BPM | ||
| Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeur de Radio France | D Major | 1 | 10B | 101 BPM | ||
| Don Giovanni, ossia Il dissoluto punito, K.527: In quali eccessi - Mi tradi quell'alma ingrata (K. 540c) | Wolfgang Amadeus Mozart, Renée Fleming, Orchestra of St. Luke's, Sir Charles Mackerras | C Minor | 1 | 5A | 71 BPM | ||
| Les soirées musicales: La danza (Già la luna è in mezzo al mare) | Gioachino Rossini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | F Major | 4 | 7B | 69 BPM | ||
| Vide Cor Meum | Patrick Cassidy, Anthony Hopkins, Danielle de Niese, Bruno Lazzaretti, Libera, The Lyndhurst Orchestra, Gavin Greenaway | A Major | 2 | 11B | 84 BPM | ||
| L'elisir d'amore: "Una furtiva lacrima" | Luciano Pavarotti, Alfredo Di Lauro, Orchestra Di Lauro | B♭ Minor | 2 | 3A | 80 BPM | ||
| The Ballad of Baby Doe: The Letter Song | Douglas Moore, Renée Fleming, Metropolitan Opera Orchestra, James Levine | F♯ Minor | 1 | 11A | 84 BPM | ||
| Peer Gynt Suite No. 1, Op. 46. Incidental music to Peer Gynt by Ibsen: I. Morning Mood | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | B♭ Major | 0 | 6B | 68 BPM | ||
| The Return of the King (feat. Sir James Galway, Viggo Mortensen and Renee Fleming) | Howard Shore, Renée Fleming, James Galway, Viggo Mortensen | D Major | 1 | 10B | 78 BPM | ||
| Thaïs / Acte Deux: Ah! je suis seule, seule enfin! | Jules Massenet, Renée Fleming, Orchestre National Bordeaux Aquitaine, Yves Abel | D Major | 2 | 10B | 94 BPM | ||
| Zwei Herzen im Dreivierteltakt: Zwei Herzen im Dreivierteltakt - Live | Robert Stolz, Renée Fleming, Klaus Florian Vogt, Staatskapelle Dresden, Christian Thielemann | C Major | 3 | 8B | 85 BPM | ||
| La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
| Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Renée Fleming, Hartmut Höll | E♭ Major | 0 | 5B | 92 BPM | ||
| Tosca, SC 69: Mario Cavaradossi? ... E lucevan le stelle | Giacomo Puccini, Jonathan Tetelman, Önay Köse, PKF – Prague Philharmonia, Carlo Rizzi | B Minor | 1 | 10A | 136 BPM | ||
| Messe solennelle de Ste. Cécile: Sanctus | Charles Gounod, Elina Garanca, Latvian Radio Choir, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon | F Major | 1 | 7B | 125 BPM | ||
| Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi che sapete" (Cherubino) | Wolfgang Amadeus Mozart, Marianne Crebassa, Marc Minkowski, Mozarteum Orchestra Salzburg | B♭ Major | 1 | 6B | 64 BPM | ||
| Lorsque vous n'aurez rien à faire | Dawn Upshaw | G Major | 2 | 9B | 87 BPM | ||
| La Rondine / Act 1: "Chi il bel sogno di Doretta" | Giacomo Puccini, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | F Major | 2 | 7B | 166 BPM | ||
| West Side Story: XIIId. Somewhere | Leonard Bernstein, Marilyn Horne, Leonard Bernstein Orchestra | E Major | 1 | 12B | 88 BPM | ||
| La forza dell’amore e dell’odio: "Vado a morir" | Francesco Araia, Cecilia Bartoli, I Barocchisti, Diego Fasolis | E Minor | 2 | 9A | 176 BPM | ||
| Serse / Act 1, HWV 40: "Ombra mai fu" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 175 BPM | ||
| 4 Letzte Lieder, TrV 296: No. 2, September | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | F♯ Major | 1 | 2B | 81 BPM |