- BPM
- 94
- Key
- F♯ Minor
- Camelot
- 11A
Pièces de Clavessin, Suite in E minor by Jean-Philippe Rameau, Trevor Pinnock Song Details
On June 4, 2006, the song "Pièces de Clavessin, Suite in E minor" was released by Jean-Philippe Rameau, Trevor Pinnock. With This song being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Rameau: Les Cyclopes". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Pièces de Clavessin, Suite in E minor is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
BPM and Tempo
With Pièces de Clavessin, Suite in E minor by Jean-Philippe Rameau, Trevor Pinnock having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
Music Key
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -12.103 dB
- Acousticness
- 47%
- Danceability
- 36%
- Energy
- 75%
- Instrumentalness
- 44%
- Liveness
- 22%
- Loudness
- 80%
- Speechiness
- 3%
- Valence
- 94%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | L'Aria | Heinrich Ignaz Franz von Biber, Christina Pluhar | D Minor | 1 | 7A | 86 BPM | |
 | Introduttione II in F Major, Op. 4 No. 2: II. Andante | Pietro Locatelli, Fabio Biondi, Europa Galante | A♭ Major | 1 | 4B | 123 BPM | |
 | Chamber Sonata No. 4 in G Minor: I. Grave | Élisabeth Jacquet de La Guerre, Musica Fiorita | D♭ Minor | 2 | 12A | 84 BPM | |
 | Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | |
 | 3 Romances, Op. 11: I. Andante | Clara Schumann, Yoshiko Iwai | C Major | 0 | 8B | 66 BPM | |
 | Polifemo: Alto giove (Air d'Acio) - Instrumental Version | Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska, Derek Lee Ragin | E♭ Minor | 0 | 2A | 141 BPM | |
 | Suite in E Minor, RCT 2: VIII. Tambourin - Live | Jean-Philippe Rameau, Grigory Sokolov | B♭ Major | 2 | 6B | 132 BPM | |
 | Suite From Abdelzar: I. Rondeau | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 101 BPM | |
 | Minuet & Trio in G Major, WAB 220 | Anton Bruckner, Mari Kodama | C Major | 2 | 8B | 127 BPM | |
 | Bach: Prelude in B minor, BWV 855a (Arr. by Alexander Siloti) | Johann Sebastian Bach, Khatia Buniatishvili | F♯ Major | 0 | 2B | 69 BPM | |
 | Suite in E Minor, RCT 2: V. Le Rappel des oiseaux - Live at Mozart Hall of the Zaragoza Auditorium / 2019 | Jean-Philippe Rameau, Grigory Sokolov | D Minor | 1 | 7A | 80 BPM | |
 | Rameau: Les Indes galantes, Quatrième entrée "Les sauvages": "Forêts paisibles" (Zima, Adario, Sauvages) | Jean-Philippe Rameau, Sabine Devieilhe, Aimery Lefèvre, Le Jeune Choeur de Paris, Alexis Kossenko, Les Ambassadeurs | F♯ Minor | 3 | 11A | 85 BPM | |
 | Adagio | Alessandro Marcello, Martin Stadtfeld | D Minor | 0 | 7A | 91 BPM | |
 | Nocturne No. 5 in B-Flat Major, H 37 | John Field, Benjamin Frith | B♭ Major | 0 | 6B | 70 BPM | |
 | Les Pleurs (Mr. de Sainte Colombe, version viole seule de Jordi Savall) | Monsieur de Sainte-Colombe, Jordi Savall | D♭ Minor | 0 | 12A | 102 BPM | |
 | Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | |
 | Come, Sweet Death, BWV 478 (Arr. for 5 Cellos) | Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Major | 0 | 8B | 122 BPM | |
 | Wachet auf, ruft uns die Stimme, BWV 645 | Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra | D Major | 0 | 10B | 79 BPM | |
 | Harpsichord Sonata No. 73: Allegro in D Major (arr. for Harp) | Antonio Soler, Godelieve Schrama | A Major | 1 | 11B | 94 BPM | |
 | Violin Concerto in C Major, Hob. VIIa:1: II. Adagio | Joseph Haydn, Augustin Hadelich, Kolner Kammerorchester, Helmut Müller-Brühl | F Major | 1 | 7B | 61 BPM | |
 | Symphony in C Major, J-C 4: II. Andante e affettuoso | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM | |
 | Rameau: Les Indes galantes, Quatrième entrée "Les sauvages": "Forêts paisibles" (Zima, Adario, Chœur) | Jean-Philippe Rameau, Jean-François Paillard, Ensemble vocal "À cœur joie" de Valence, Jennifer Smith, John Elwes, Orchestre Jean-François Paillard | B♭ Minor | 1 | 3A | 60 BPM | |
 | Mystery Sonata No. 2 "The Visitation": I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | D Major | 2 | 10B | 94 BPM | |
 | Symphony No. 1 in B-Flat Major, Op. 2: I. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 1 | 11B | 86 BPM | |
 | Sonata "Follia" Op. 5, No. 12: Adagio | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 82 BPM |
- ISRC
- GBELX0501172
- Label
- L-M Records/RCA Records