John Temple's 'I Can See Clearly Now' had a release date set for January 1, 2008. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. I Can See Clearly Now's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Saxophone Favourites Volume Two". In this album, this song's track order is #19. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, I Can See Clearly Now is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With I Can See Clearly Now by John Temple having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| As Time Goes By | Snake Hips Johnson | A♭ Major | 6 | 4B | 78 BPM | ||
| There's a Kind of Hush | Birmingham Light Orchestra | D Major | 6 | 10B | 128 BPM | ||
| What's Love Got to Do with It | Hank Schumann | F♯ Major | 6 | 2B | 98 BPM | ||
| Love is in the Air - Sax Version | Segi S | C Major | 3 | 8B | 140 BPM | ||
| Annie's Song | Mateo Farfan | C Major | 1 | 8B | 80 BPM | ||
| If You Leave Me Now | Nathan Reed | B Major | 2 | 1B | 106 BPM | ||
| Los Hombres No Deben Llorar | Francis Pourcel Orchestra | D Minor | 2 | 7A | 145 BPM | ||
| Up Where We Belong | Glendon Smith | D Major | 4 | 10B | 124 BPM | ||
| Everything I Do - Instrumental Version | Mr. Sax C | B♭ Major | 2 | 6B | 174 BPM | ||
| You Are So Beautiful | The Royal Sax Band | F Minor | 5 | 4A | 140 BPM | ||
| Empty Room | LARA KA | E♭ Major | 1 | 5B | 122 BPM | ||
| Parece Que Fue Ayer | Piano Marico | G Major | 4 | 9B | 106 BPM | ||
| Fernando | Pepito Ros e A.M.P. | A Major | 6 | 11B | 106 BPM | ||
| Besame Mucho | EDDY GUIRAO | C Major | 4 | 8B | 82 BPM | ||
| Melodía Desencadenada | Polo Solís | C Major | 3 | 8B | 80 BPM | ||
| Vivo Per Lei (Saxophone Duet) [feat. Andrea Verlingieri] | Felicity Saxophonist, Andrea Verlingieri | D♭ Major | 5 | 3B | 144 BPM | ||
| Love Hurts | The Golden Nightingale Orchestra | C Major | 3 | 8B | 79 BPM | ||
| Because of You | The Royal Sax Band | F Minor | 5 | 4A | 140 BPM | ||
| A Mi Manera | Los Últimos Románticos | E♭ Major | 4 | 5B | 75 BPM | ||
| If You Leave Me Now | Graham Turner | B Major | 4 | 1B | 99 BPM | ||
| Words - Saxophone Version | Manu López | D♭ Major | 7 | 3B | 124 BPM | ||
| Red Red Wine | Miami Beat Society | D Major | 4 | 10B | 91 BPM | ||
| Imagine - Instrumental | Patrick J. & his Orchestra | C Major | 4 | 8B | 150 BPM | ||
| Piel Canela | EDDY GUIRAO | E Minor | 5 | 9A | 119 BPM | ||
| Spanish Eyes | Claude Piaf | E Major | 3 | 12B | 130 BPM |