Rajkishan Agwanpuriya's 'Kutta Maar Banjara Roya' had a release date set for 1991. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rajkishan Agwanpuriya's "Haryanvi Rajkishan Ki Futkar Ragniya (Vol. 1, 2, 3, 4, 5, 6, 7 & 8)" album is number 5 out of 55. On top of that, France appears to be the country where this track was created. In terms of popularity, Kutta Maar Banjara Roya is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Kutta Maar Banjara Roya by Rajkishan Agwanpuriya to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hon Laga Mahghor Sangram | Koshinder Khadana, Rishipal, Karampal Sharma, Brampal, Ram Avtav, Manju | A Major | 7 | 11B | 160 BPM | ||
| Sar Pe Tere Ahsan | Koshinder Khadana, Rishipal | A♭ Minor | 4 | 1A | 79 BPM | ||
| Comedy Birha Mukabla | Omkar Prince, Tamanna Yadav, Shailendra Gaur | A♭ Major | 7 | 4B | 140 BPM | ||
| Baint- Sikh Dhadhi | Dhadhi Jathan | F♯ Major | 7 | 2B | 81 BPM | ||
| Prem To Jabhi Mil Skta Part 4 | Swami Aadhar Chaitanya | A♭ Minor | 5 | 1A | 94 BPM | ||
| Bewaras Ki Dhal Firey Se | Karampal Sharma | F Major | 8 | 7B | 95 BPM | ||
| Bebe Main To Ghus Ghus Ke Ne Roo | Narendra Kaushik | E Minor | 9 | 9A | 151 BPM | ||
| Re Buggi Datiye | Kosinder, Rishipal, Karampal, Satpal Dosa, Ramavtar, Manju, Sunita Panchal | A Minor | 5 | 8A | 85 BPM | ||
| Meri Sun Lea Ranghea Pali | Koshinder Khadana, Rishipal, Karampal Sharma, Brampal, Ram Avtav, Manju | G Minor | 7 | 6A | 148 BPM | ||
| Kataniya Ka Tor Baap Karihe | Amit R Yadav, Ujala Yadav | A Major | 10 | 11B | 128 BPM | ||
| Chaar Din Ke Jinagi | Gopal Rai | A♭ Major | 6 | 4B | 77 BPM | ||
| Hariyalo Bando Chudi Gajaro | Khanak | A Minor | 6 | 8A | 102 BPM | ||
| Hoiyo Umar Hazaar Ho Devar | Rajkishan Agwanpuriya, Neelam Chaudhary | A Minor | 5 | 8A | 118 BPM | ||
| Bani Gailein Jharna Nayanwa | Madan Rai | A Major | 8 | 11B | 87 BPM | ||
| Kaya Vavar Ma Kanad Paani Legai Kanha | Sagar Deshmukh | E♭ Major | 7 | 5B | 155 BPM | ||
| Aaiye Aaiye Ho Balaji Ek Baar | Narender Kaushik | A Major | 10 | 11B | 116 BPM | ||
| Le Le Chal Sath Mein | Vishnu Ojha | F Major | 5 | 7B | 145 BPM | ||
| Suno Gawaiya Re Na Chahiye Rupeeya Re | Sumit Kalanaur, RK Gorankheri | A♭ Major | 8 | 4B | 174 BPM | ||
| Tere Bina Ji Na Laage | Ranbir Singh Badhwasniyan, Sarita Chaudhary | A Minor | 5 | 8A | 118 BPM | ||
| Pind Var Nagoba | Amol Shirsath | A♭ Major | 10 | 4B | 162 BPM | ||
| Bigde Kam Bnade Baba Jotram | Sumit Kalanaur | B♭ Major | 8 | 6B | 148 BPM | ||
| Jihna Sidak Tere Te Rakheya | Bhai Ranjit Singh Dhadrianwale | A Major | 6 | 11B | 82 BPM | ||
| Tu Mehla Mein Rehne Wali | Kosinder, Rishipal, Karampal, Satpal Dosa, Ramavtar, Manju, Sunita Panchal | B Major | 7 | 1B | 93 BPM | ||
| Jawan Balihari Ji Main Apne Guran Ton | Sri Hazoor Sant Isher Singh Ji Maharaj | C Minor | 8 | 5A | 99 BPM | ||
| Rangaay Letu Bhauji | Vijay Lal Yadav, Anita Raaj | D Major | 7 | 10B | 75 BPM |