Mohammad Omar's ' "Naghma Tilang" was released on its scheduled release date, 1970. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 8 in the song's album "Robab - The Soul of Sound". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Switzerland. Based on our statistics, Naghma Tilang's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Naghma Tilang by Mohammad Omar having a BPM of 145 with a half-time of 72 BPM and a double-time of 290 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vignaraja | Amjad Ali Khan | F♯ Major | 7 | 2B | 115 BPM | ||
| Sayr-i Badakhshan (A Stroll in Badakhshan) | Homayun Sakhi, Mukhtor Muborakqadomov, Sirojiddin Juraev, Salar Nader | D♭ Major | 5 | 3B | 175 BPM | ||
| Aster | Donya Golestani | D Minor | 4 | 7A | 94 BPM | ||
| بهار دلنشین | Laleh Zoheidi | B Minor | 0 | 10A | 78 BPM | ||
| Suite of Zekrs II | Ostad Elahi | G Minor | 3 | 6A | 95 BPM | ||
| موال بيوت البشوات | مكرم المنياوي | B Minor | 4 | 10A | 80 BPM | ||
| Raft | Ahmad Zahir | G Major | 5 | 9B | 95 BPM | ||
| سیکنه دخترسوداگر | Salsaal Music | E♭ Minor | 9 | 2A | 120 BPM | ||
| یار میده گک دارم نامشه نمیفامم | Gulnazar Nazari | E♭ Major | 5 | 5B | 91 BPM | ||
| Baad Az Khoda | Qais Essar, Neelamjit Dhillon | B Major | 5 | 1B | 100 BPM | ||
| Adana | Buddhadev DasGupta | F Major | 4 | 7B | 115 BPM | ||
| رسیدم دان دروازه قمندان | موزیک محلی | B♭ Minor | 9 | 3A | 144 BPM | ||
| Akafoukim | Munir Bachir | A♭ Minor | 6 | 1A | 110 BPM | ||
| Omayya (Kord) | Amer Ammouri | F Major | 4 | 7B | 152 BPM | ||
| Paimana Bede | Qais Essar | E Major | 4 | 12B | 123 BPM | ||
| Agra (India) 1987 - Kharawa | Zakir Hussain & Hariprasad Chaurasia | C Major | 6 | 8B | 122 BPM | ||
| Zarbi in Dashti | Yasamin Shahhosseini | G Minor | 4 | 6A | 112 BPM | ||
| Samai Husaini | Hamza El Din | G Minor | 2 | 6A | 98 BPM | ||
| A New Beginning (End Credits) | Milo Paulus, Akram Ben Romdhane, Seyedarian Sadrayimousavi | G Major | 1 | 9B | 132 BPM | ||
| Amaturi | Aziz Herawi | D Major | 3 | 10B | 149 BPM | ||
| Asadullah Jan | Ustad Rahim Khushnawaz, Karim Khushnawaz | D♭ Major | 3 | 3B | 109 BPM | ||
| Zar-Afshan (Danse traditionnelle, Cycle 78) | Khaled Arman, Siar Hashimi | D♭ Minor | 7 | 12A | 93 BPM | ||
| Zarbi | Mohammad Reza Lotfi | B♭ Minor | 1 | 3A | 96 BPM | ||
| Raga Shankara - Drut Ektal | Ram Narayan, Suresh Talwalkar, François Auboux | D♭ Major | 3 | 3B | 153 BPM | ||
| Cells 14-16 | Terry Riley, Brooklyn Raga Massive | G Major | 7 | 9B | 109 BPM |