Tapta's ' "Numittu 27Th Monday" was released on its scheduled release date, December 1, 2006. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Tapta,Sangeeta's "Hits Of Tapta" album is number 10 out of 11. On top of that, India appears to be the country where this track was created. Based on our statistics, Numittu 27Th Monday's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Numittu 27Th Monday by Tapta to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nungshiba Ama Oibada | Sorri Senjam, Uttam Mayanglambam | E Major | 6 | 12B | 128 BPM | ||
| Khamban Chaoee Haiduna | Swamikumar Oinam | A Major | 5 | 11B | 89 BPM | ||
| Dokhona Gwja | Swrjisuma | D♭ Major | 4 | 3B | 125 BPM | ||
| Laaklo | Jeet Kshetricha | A Major | 6 | 11B | 122 BPM | ||
| NANGGI NAPAO | Ranbir Thouna, AMEY DAATE, pandit SUKLA | G Major | 5 | 9B | 91 BPM | ||
| Kothoma | Koloma | G Major | 3 | 9B | 172 BPM | ||
| Itlai | Begi Haokip, Seibawi Khongsai | C Major | 5 | 8B | 156 BPM | ||
| Ahanba Unakhiba | Chingkhei Changgammayum, Faristha | B♭ Major | 3 | 6B | 100 BPM | ||
| Asinbo Rinna Leto | D Sankar Gam, Meghali Borokha | C Major | 3 | 8B | 93 BPM | ||
| Langdang Jaiga | Swrjisuma | E♭ Major | 4 | 5B | 77 BPM | ||
| Tangoi | Yarsin Chanu, Dai Cha | B Major | 3 | 1B | 180 BPM | ||
| Koinare Maga Eiga | Linda Thangjam, Ak Yangoi | A Major | 7 | 11B | 188 BPM | ||
| Hinjao Balonda | Nayan Borgoyary | D♭ Major | 5 | 3B | 102 BPM | ||
| Ngao Re | Sadananda | B Major | 3 | 1B | 180 BPM | ||
| Paphal | Life In Limbo, PREETI YUMNAM | E Minor | 10 | 9A | 95 BPM | ||
| Lona Tumin Yengjaba | Surma Chanu | D Major | 6 | 10B | 104 BPM | ||
| Genthei kei khankho | Begi Haokip, Seibawi Khongsai, Eddy Singson | A♭ Major | 7 | 4B | 120 BPM | ||
| Sey sey seboti | Ratan Angom, Beron Thokchom | F♯ Minor | 3 | 11A | 120 BPM | ||
| Songsar Lwithwmani | Bigrai Brahma | C Major | 8 | 8B | 147 BPM | ||
| Ei Nangini Duet | Hamom Sadananda, Sorokhaibam Babyrani | D♭ Minor | 4 | 12A | 91 BPM | ||
| De Gakhwdw | Bijwngsar Baro | D♭ Major | 4 | 3B | 106 BPM | ||
| Nungshi Nungshina Panthung Leitare | AJ Maisnam, Sushmita | C Major | 4 | 8B | 76 BPM | ||
| Koina Paibi Chekla | Aboy Ningthouja | G Major | 4 | 9B | 116 BPM | ||
| Chingda Satpi Engellei | Chaoba Thiyam, Siyom | C Major | 7 | 8B | 137 BPM | ||
| Kerek Kerek | Ridip Regon, Rupali Payeng | A Minor | 5 | 8A | 130 BPM |