Josh Rennie-Hynes's 'A Beaufort Afternoon' had a release date set for August 26, 2016. The duration of This song is about 3 minutes long, at 3:23. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 11 in Furthermore by Josh Rennie-Hynes. The popularity of A Beaufort Afternoon is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A Beaufort Afternoon by Josh Rennie-Hynes is Presto (very, very fast), since this song has a tempo of 180 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Retrace | John Allred | E Major | 7 | 12B | 180 BPM | ||
| Where We've Been To And Where We Can Go | Gregory Boivin | B♭ Major | 5 | 6B | 108 BPM | ||
| Only Ever Coming Down | New Nausea | D♭ Major | 7 | 3B | 144 BPM | ||
| The Way Home | James Anto | A Major | 4 | 11B | 128 BPM | ||
| Don't Waste Your Time | Tim Knol, Sure He's A Cat | D♭ Major | 7 | 3B | 144 BPM | ||
| Keep You in My Mind | Tom Williams | G Major | 2 | 9B | 93 BPM | ||
| When the Time Is Right | Griffin House | B♭ Major | 6 | 6B | 137 BPM | ||
| Velvet Morning Kiss | The Snow Itself | D♭ Minor | 6 | 12A | 111 BPM | ||
| Too Different Pictures | Hunter James and The Titanic | C Major | 3 | 8B | 136 BPM | ||
| Babylon | Fin Amour | D♭ Major | 7 | 3B | 144 BPM | ||
| Could Have Been | Highland Express | B♭ Major | 7 | 6B | 160 BPM | ||
| New York | The Rogues | D♭ Major | 7 | 3B | 144 BPM | ||
| Dead Set on You | Griffin House | B Minor | 8 | 10A | 132 BPM | ||
| The Best Exceptions | Kitty Andrew | C Major | 4 | 8B | 109 BPM | ||
| Sea Glass | Jon Nolan | G Major | 6 | 9B | 110 BPM | ||
| Run from You | Max Gomez | C Major | 8 | 8B | 116 BPM | ||
| Do You Really Wanna Do It? | Danny Golden | C Major | 5 | 8B | 160 BPM | ||
| The Lucky Ones | Alana Sweetwater | D Major | 4 | 10B | 142 BPM | ||
| Nightbirds | Luke Beling | A♭ Major | 4 | 4B | 99 BPM | ||
| You Can Lean On Me | Gavin Fox | E♭ Major | 4 | 5B | 79 BPM | ||
| Sing With Me | Elliot Dunbar | D Major | 2 | 10B | 80 BPM | ||
| Lying To Myself | Without Willow | C Major | 2 | 8B | 130 BPM | ||
| I Remember You | Lauren Spring | C Major | 6 | 8B | 108 BPM | ||
| Hurt My Heart | Daniel James McFadyen | D♭ Major | 3 | 3B | 130 BPM | ||
| Morning Light | Jesse Taylor | E♭ Major | 5 | 5B | 126 BPM |