Celestial Aeon Project's ' "They Came From Nowhere" was released on its scheduled release date, 2009. With This song being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Celestial Aeon Project's "Mind's Eye" album is number 11 out of 13. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, They Came From Nowhere's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of They Came From Nowhere by Celestial Aeon Project to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Frozen Portal | Everrune | C Major | 1 | 8B | 77 BPM | ||
| Howl Of The White Wolf | Adam Skorupa, Krzysztof Wierzynkiewicz | F Minor | 9 | 4A | 100 BPM | ||
| Zereth Mortis Mystery | Glenn Stafford, World of Warcraft, Blizzard Entertainment | G Major | 2 | 9B | 63 BPM | ||
| No Turning Back | Travis Savoie | C Minor | 3 | 5A | 110 BPM | ||
| Lead the Charge | Benjamin Goldberg | D Minor | 7 | 7A | 150 BPM | ||
| The Dragon King | Everrune | A Minor | 6 | 8A | 80 BPM | ||
| Alushinyrra Battle Theme | Pawel Perepelica | D♭ Major | 2 | 3B | 86 BPM | ||
| Darkling Forest | Sorastro | A♭ Major | 2 | 4B | 139 BPM | ||
| Weapons Drawn | Brad Derrick | F Major | 6 | 7B | 94 BPM | ||
| Purgatory | Gods of Battle | B Minor | 9 | 10A | 145 BPM | ||
| Their Hearts Grew Bold | Justin Bell | G Major | 5 | 9B | 131 BPM | ||
| The Passages | Harry Gregson-Williams | F Minor | 6 | 4A | 142 BPM | ||
| Grimdark Future | Celestial Aeon Project | G Minor | 7 | 6A | 151 BPM | ||
| Death On The Bridge | Trevor Morris | C Minor | 3 | 5A | 84 BPM | ||
| The Dead Marshes | Derek Fiechter, Brandon Fiechter | D Major | 2 | 10B | 82 BPM | ||
| Endless Night | Neal Acree | B♭ Minor | 2 | 3A | 139 BPM | ||
| Twin Fire | Rebel Blood | D Minor | 7 | 7A | 80 BPM | ||
| Army of the War God | Maclaine Diemer, Wilbert Roget, II | F Minor | 6 | 4A | 77 BPM | ||
| Steelmelter | Martin Egger | B Major | 4 | 1B | 60 BPM | ||
| Polyphemus | Andrew Lockington, Tiff Randol, Nicholas Dodd | D♭ Major | 6 | 3B | 152 BPM | ||
| To Sweat On The Battlefield | Marcin Przybyłowicz | G Minor | 5 | 6A | 120 BPM | ||
| Airborne Pursuit | Jason Graves | D Major | 7 | 10B | 180 BPM | ||
| Treacherous Tracker | Doyle W. Donehoo | C Minor | 4 | 5A | 100 BPM | ||
| Passage to Xhorhas | Critical Role, Omar Fadel | C Major | 3 | 8B | 92 BPM | ||
| The Epic Assassin | Future World Music | B Major | 9 | 1B | 140 BPM |