"Every Hour on the Hour - Berlin Version" by John Dragonetti had its release date on March 12, 2024. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Every Hour on the Hour - Berlin Version's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Turning Point: The Bomb and the Cold War (Soundtrack from the Netflix Series)". In this album, this song's track order is #24. Every Hour on the Hour - Berlin Version is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Every Hour on the Hour - Berlin Version by John Dragonetti having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fue Todo Para Mi | Almater | A Minor | 3 | 8A | 100 BPM | ||
| Lost | Linus Kuiiten | G Major | 4 | 9B | 81 BPM | ||
| Origins | Ryan Taubert | E♭ Major | 0 | 5B | 142 BPM | ||
| Qui gladio ferit gladio perit | Corpus Dominix | B Minor | 0 | 10A | 94 BPM | ||
| Prosperidad | Vino Veritas | C Major | 3 | 8B | 143 BPM | ||
| Nadie Al Otro Lado | Almater | A Minor | 1 | 8A | 110 BPM | ||
| Leaving The Hospital | Mark Isham | A Major | 1 | 11B | 155 BPM | ||
| Fear the Lion | Cavid Babayev, Constalanta | B♭ Major | 3 | 6B | 100 BPM | ||
| Temas Variados | Ambientes Misticos | A♭ Minor | 2 | 1A | 78 BPM | ||
| Make A Wish | Crzysnd | F Minor | 3 | 4A | 120 BPM | ||
| The Frozen Waltz | Mirko Buschiazzo, Pınar Temizel Çulha | F Major | 3 | 7B | 156 BPM | ||
| Mechanical Life | Defunctland | B♭ Major | 3 | 6B | 83 BPM | ||
| Chasing the Wind | James Everingham | F♯ Major | 3 | 2B | 104 BPM | ||
| La Exclusividad | Formas Correctas | G Major | 2 | 9B | 57 BPM | ||
| Stella Polare | Sagrifizio | E Major | 0 | 12B | 67 BPM | ||
| El Tiempo Perdido | Hasta El Final | G Major | 2 | 9B | 74 BPM | ||
| Fuera De Categoria | Ambientes Misticos | E Major | 1 | 12B | 146 BPM | ||
| I Know Why You're Here | CHLOE (Thévenin) | B♭ Major | 3 | 6B | 83 BPM | ||
| Mine Control | Mark Stenton | A♭ Major | 3 | 4B | 128 BPM | ||
| La Banda estuvo ahí - Extended Version | Iván M. Lacámara, Budapest Symphony Orchestra | D Major | 5 | 10B | 106 BPM | ||
| Secret Pulse of Stars | Radha La Musa | D♭ Major | 2 | 3B | 138 BPM | ||
| Eyes of Wonder | Caleb Etheridge | G Major | 3 | 9B | 120 BPM | ||
| The Moment World History Turns | John Dragonetti | C Major | 8 | 8B | 82 BPM | ||
| Perfect Storm | Gav Moran | G Major | 2 | 9B | 87 BPM | ||
| The Turning Tide | Kevin Graham | D Minor | 3 | 7A | 67 BPM |