Longview's 'You Can Mark It Down' had a release date set for April 19, 2005. The duration of This song is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. You Can Mark It Down's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Longview's "Lessons In Stone" album is number 6 out of 12. On top of that, United States appears to be the country where this track was created. Based on our statistics, You Can Mark It Down's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of You Can Mark It Down by Longview to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I've Never Been So Lonesome | Longview | B Major | 7 | 1B | 134 BPM | ||
| Kickin' Mule | The Kentucky Colonels | D Major | 7 | 10B | 88 BPM | ||
| Nine Pound Hammer | Ronnie Bowman | B Major | 5 | 1B | 124 BPM | ||
| Devil's Road | Grasstowne, Alan Bibey, Phil Leadbetter, Steve Gulley | B Major | 6 | 1B | 120 BPM | ||
| Old Swinging Bridge | Lonesome River Band | F♯ Minor | 8 | 11A | 137 BPM | ||
| All Because Of Me | Sideline | E Minor | 8 | 9A | 112 BPM | ||
| Power cup | James Whitex | E Major | 8 | 12B | 120 BPM | ||
| Love Of The Mountains | Lost and Found | B Major | 6 | 1B | 107 BPM | ||
| Over In The Glory Land | The Kentucky Colonels | C Major | 3 | 8B | 132 BPM | ||
| Walking In The Blueridge | Junior Sisk, Ramblers Choice | E Major | 5 | 12B | 131 BPM | ||
| Wicked Woman | Hammertowne | E Major | 7 | 12B | 124 BPM | ||
| They Call It Bluegrass | Lorraine Jordan & Carolina Road | G Major | 6 | 9B | 140 BPM | ||
| This Old Martin Box | Blue Moon Rising | B Major | 7 | 1B | 144 BPM | ||
| It's Just A Road | The Boxcars | F Minor | 8 | 4A | 118 BPM | ||
| Poor Old Man | Dwight McCall | E Major | 6 | 12B | 101 BPM | ||
| Ain't No Better, Ain't No Worse | Blue Highway | B♭ Major | 8 | 6B | 134 BPM | ||
| My Better Years | The Johnson Mountain Boys | B♭ Major | 2 | 6B | 105 BPM | ||
| Milwaukee Blues | Appalachian Road Show | C Major | 6 | 8B | 92 BPM | ||
| Little Black Train | Jody Stecher, Mile Twelve | D Major | 3 | 10B | 134 BPM | ||
| The Bluefield West Virginia Blues | Big Country Bluegrass | B Major | 7 | 1B | 117 BPM | ||
| Theme Time | Jim Mills | A Major | 9 | 11B | 157 BPM | ||
| Fingers to the Bone | John Jared & The Guthrie Boys | A Major | 8 | 11B | 138 BPM | ||
| Driver Of The Road | Joseph Westerfield, Jerry Ware | F♯ Minor | 9 | 11A | 119 BPM | ||
| Fox on the Run | Tony Trischka | B♭ Major | 5 | 6B | 113 BPM | ||
| Rockabye Boogie | The Kody Norris Show | B Major | 9 | 1B | 160 BPM |