The Filth's ' "Aftermath" was released on its scheduled release date, March 26, 2012. Aftermath is considered explicit and may contain foul language. This song is about 3 minutes and 4 seconds, which is about the average length of a typical song. There are a total of 10 in the song's album "The Filth". In this album, this song's track order is #9. Based on our statistics, Aftermath's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Aftermath by The Filth having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Channel Blocks | Beethoven | F♯ Minor | 7 | 11A | 132 BPM | ||
| Son The Father | Fucked Up | B Major | 9 | 1B | 82 BPM | ||
| Too Much | Dizel | B Major | 10 | 1B | 170 BPM | ||
| Nuclear War | The Insane | D♭ Major | 9 | 3B | 94 BPM | ||
| Thou Shalt Always Kill | Dan Le Sac vs Scroobius Pip | F♯ Major | 9 | 2B | 130 BPM | ||
| Explosive Echo | SARAH G77 | E Minor | 9 | 9A | 90 BPM | ||
| Tripping On Roses | Fatal Fractures | E Minor | 9 | 9A | 90 BPM | ||
| I RAN (So Far Away) | War Hoarse | E Minor | 9 | 9A | 90 BPM | ||
| Lost Cause | Cosmic Psychos | E Minor | 9 | 9A | 172 BPM | ||
| Riding Free | Allied Force | A Major | 9 | 11B | 200 BPM | ||
| Let There Be Rock | Hard-Ons | D Minor | 7 | 7A | 164 BPM | ||
| Home | Next Generation Voodoo | F♯ Minor | 8 | 11A | 128 BPM | ||
| Joy Division Oven Gloves | Half Man Half Biscuit | A Major | 9 | 11B | 107 BPM | ||
| Hypnotised | Slaves | E Minor | 10 | 9A | 200 BPM | ||
| Save the barrel | Black Staticcc | E Minor | 9 | 9A | 90 BPM | ||
| Clashing the Orbits | Polaris Experience | E Minor | 9 | 9A | 90 BPM | ||
| Little Mellow | Smokin' Cola | E Major | 7 | 12B | 168 BPM | ||
| Danny Is a Tranny | Hung Like Hanratty | D Major | 8 | 10B | 107 BPM | ||
| Gimme That Punk - Radio Edit | Audio Bullys | C Major | 9 | 8B | 124 BPM | ||
| Shatter - 25 Master | Jamie Rust | C Major | 10 | 8B | 177 BPM | ||
| Watch Your Back | Charger | A Major | 8 | 11B | 133 BPM | ||
| Something's Got to Give | The Schizophonics | D Major | 10 | 10B | 162 BPM | ||
| Leviathan | Gavial | E Minor | 9 | 9A | 90 BPM | ||
| Dads Best Friend | The Rubberbandits | A♭ Major | 9 | 4B | 143 BPM | ||
| HOMICIDE | Black Staticcc | E Minor | 9 | 9A | 90 BPM |