Lily Rose's ' "I'd Be You" was released on its scheduled release date, June 10, 2022. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. I'd Be You's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in I'd Be You and no other songs are present in the album, we classify this track as a single. On top of that, United States appears to be the country where this track was created. In terms of popularity, I'd Be You is currently below average in popularity. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of I'd Be You by Lily Rose to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| When I Remember You | Kelsey Lamb | B Major | 8 | 1B | 116 BPM | ||
| Almost There | Kaylee Rose | B♭ Minor | 5 | 3A | 184 BPM | ||
| Headlights | Restless Road | G Minor | 9 | 6A | 150 BPM | ||
| Hometown Out Of Me | HunterGirl | E♭ Major | 6 | 5B | 148 BPM | ||
| If I Had Two Hearts | Ryan Hurd | F♯ Major | 7 | 2B | 142 BPM | ||
| The Woman I've Become | Jessie James Decker | D♭ Major | 7 | 3B | 75 BPM | ||
| Girls Like You | Spencer Crandall | G Major | 7 | 9B | 94 BPM | ||
| Nashville Fell On Me | Bourbon Lane | A♭ Major | 7 | 4B | 160 BPM | ||
| I Didn't Love You | Josh Kerr, Lauren Weintraub | B Major | 4 | 1B | 104 BPM | ||
| When It Comes to You | Canaan Cox | A♭ Major | 7 | 4B | 144 BPM | ||
| Tell You Everything | Robyn Ottolini | D♭ Major | 8 | 3B | 124 BPM | ||
| In Common | FINMAR | B Major | 5 | 1B | 79 BPM | ||
| Nora Jane | Gina Venier | G Major | 9 | 9B | 135 BPM | ||
| Hang The Moon | The Roads Below | B Major | 8 | 1B | 85 BPM | ||
| The One | Grace Leer | A♭ Major | 6 | 4B | 78 BPM | ||
| Drinking to the Broken Hearts | Maggie Baugh | B♭ Major | 8 | 6B | 152 BPM | ||
| Lie | Canaan Cox | F Minor | 8 | 4A | 93 BPM | ||
| Undermine | Greylan James | A♭ Major | 8 | 4B | 184 BPM | ||
| Lets Go! | Ty March., Phillip Good | A♭ Major | 7 | 4B | 86 BPM | ||
| The Kiss Or The Crash | Nikita Karmen | D Major | 5 | 10B | 83 BPM | ||
| I Don't Wanna Be That Guy | Restless Road | D Major | 5 | 10B | 152 BPM | ||
| Take It Slow | Conner Smith | F Major | 8 | 7B | 116 BPM | ||
| Missing You | CHASE WRIGHT | C Major | 6 | 8B | 79 BPM | ||
| Life & Living | Smithfield | D Major | 7 | 10B | 114 BPM | ||
| When the Whiskey Runs Out | Andrew Jannakos | G Major | 8 | 9B | 76 BPM |