At the Halfdan Kjerulf Statue (version for piano): Andante by Edvard Grieg, Einar Steen-Nøkleberg Song Details

"At the Halfdan Kjerulf Statue (version for piano): Andante" by Edvard Grieg, Einar Steen-Nøkleberg had its release date on February 21, 1996. The duration of This song is about 3 minutes long, at 3:21. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Edvard Grieg's "Grieg: Piano Transcriptions of Songs, Op. 52 / 23 Small Pieces /" album is number 26 out of 38. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, At the Halfdan Kjerulf Statue (version for piano): Andante is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of At the Halfdan Kjerulf Statue (version for piano): Andante by Edvard Grieg, Einar Steen-Nøkleberg to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Music Key

E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -24.316 dB
Acousticness: 99%
Danceability: 35%
Energy: 8%
Instrumentalness: 91%
Liveness: 8%
Loudness: 59%
Speechiness: 5%
Valence: 6%

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