Midtown's 'To Our Savior' had a release date set for June 28, 2004. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. To Our Savior's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 15 in Forget What You Know by Midtown. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, To Our Savior is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of To Our Savior by Midtown is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Your Girlfriends Hate Me | Reggie And The Full Effect | A Major | 10 | 11B | 184 BPM | ||
| I Loved The Way She Said L.A. | Spitalfield | C Major | 9 | 8B | 179 BPM | ||
| Your New Aesthetic | Jimmy Eat World | B Minor | 9 | 10A | 165 BPM | ||
| Dog-Eared Page | The Matches | D Major | 9 | 10B | 146 BPM | ||
| Awake | Finch | F♯ Major | 8 | 2B | 118 BPM | ||
| Armageddon | Midtown | A♭ Major | 0 | 4B | 69 BPM | ||
| At Least I'm Known For Something | New Found Glory | E Major | 9 | 12B | 159 BPM | ||
| Brand New Man | Letter Kills | A♭ Major | 10 | 4B | 79 BPM | ||
| Waiting for the News | Midtown | A♭ Minor | 9 | 1A | 172 BPM | ||
| Life Of A Salesman | Yellowcard | E Major | 10 | 12B | 185 BPM | ||
| Nothing Is Ever What It Seems | Midtown | A♭ Minor | 9 | 1A | 152 BPM | ||
| The Ultimate Cover Up | The Audition | E♭ Minor | 9 | 2A | 175 BPM | ||
| The More You Talk the Less I Hear | Armor For Sleep | D Minor | 10 | 7A | 167 BPM | ||
| Shamans Witches Magic | Hidden In Plain View | C Major | 10 | 8B | 75 BPM | ||
| Is It Me? Is It True? | Midtown | A Minor | 8 | 8A | 106 BPM | ||
| In Vein | Alkaline Trio | F Major | 8 | 7B | 122 BPM | ||
| Closer to Our Graves | Lucky Boys Confusion | C Major | 10 | 8B | 106 BPM | ||
| Futures | Jimmy Eat World | E♭ Major | 9 | 5B | 168 BPM | ||
| The Pornographers Daughter | Northstar | A Major | 9 | 11B | 149 BPM | ||
| Cheek To Cheek | The Starting Line | F Major | 6 | 7B | 160 BPM | ||
| Cool for One Night | Hot Rod Circuit | D Major | 9 | 10B | 126 BPM | ||
| Exhibit of the Year | Down To Earth Approach | D Major | 10 | 10B | 155 BPM | ||
| We Give Up Sometimes | Name Taken | D♭ Minor | 9 | 12A | 155 BPM | ||
| Starstruck | Yellowcard | G Minor | 9 | 6A | 171 BPM | ||
| Solid Gold Telephone | Head Automatica | B Minor | 9 | 10A | 134 BPM |