"Outlaw Ambush" by Sarah Schachner had its release date on February 22, 2019. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 12 out of 23 in Anthem (Original Soundtrack) by Sarah Schachner. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Outlaw Ambush is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Outlaw Ambush by Sarah Schachner is Vivace (lively and fast), since this song has a tempo of 160 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shura Theme | Jason Graves | B♭ Minor | 8 | 3A | 150 BPM | ||
| Permission To Come Aboard | Rupert Gregson-Williams | D♭ Major | 5 | 3B | 146 BPM | ||
| Motorcycle Chase | John Powell, David Buckley | F Major | 6 | 7B | 130 BPM | ||
| Endless Tiers | Glen Andrew Brown | F Major | 8 | 7B | 120 BPM | ||
| Cobalt Cowboy | Ramin Djawadi | E Minor | 5 | 9A | 120 BPM | ||
| Battle With Tiamat | Cris Velasco | E♭ Major | 4 | 5B | 90 BPM | ||
| Assassination Attempt - Fugitive at Large - FF7 Rebirth OST Ver. | 植松 伸夫, 鈴木 克崇 | G Minor | 4 | 6A | 130 BPM | ||
| Together We Fight | Daniel Pemberton | D Minor | 5 | 7A | 110 BPM | ||
| Don't Give Up | John Paesano | C Minor | 4 | 5A | 76 BPM | ||
| Ask the Sea - Bonus Track | Rupert Gregson-Williams | D♭ Minor | 4 | 12A | 100 BPM | ||
| Kait's Theme | Ramin Djawadi | C Minor | 4 | 5A | 137 BPM | ||
| For All Mankind (Opening Cinematic) | Jon Everist, Paradox Interactive | A Minor | 2 | 8A | 110 BPM | ||
| Grenade Training | Audiomachine | C Minor | 2 | 5A | 81 BPM | ||
| rojo out | オレンジかもしれない | G Minor | 4 | 6A | 130 BPM | ||
| Gene Molds | Keith Power | G Major | 5 | 9B | 105 BPM | ||
| Okay | Mai Clayton, MaiMoone | A♭ Major | 1 | 4B | 130 BPM | ||
| Darkest Hour | Jason Solowsky | D Minor | 4 | 7A | 100 BPM | ||
| Deadzone | Sascha Dikiciyan | C Major | 3 | 8B | 115 BPM | ||
| Ibarra FoxCom | Dynamedion | B♭ Minor | 6 | 3A | 180 BPM | ||
| You Have No Idea | Ryan Amon | D♭ Major | 5 | 3B | 100 BPM | ||
| Dragons Win | Steve Jablonsky | C Minor | 3 | 5A | 105 BPM | ||
| Battlements | Cris Velasco, Sascha Dikiciyan | G Minor | 5 | 6A | 104 BPM | ||
| Alaska | Declan Seth, Morgan Richards | G Major | 4 | 9B | 95 BPM | ||
| Lake of Blood - FF7 Rebirth OST Ver. | 牧野 忠義 | G Minor | 4 | 6A | 130 BPM | ||
| Atlas HQ - Attacked | Michael McCann | A♭ Major | 8 | 4B | 112 BPM |