Midnight (Interlude)
Yung Fryslân, Timothy Martin, Too Martian
Sangre Azul
1:16 October 9, 2020
BPM
145
Key
E♭ Minor
Camelot
2A

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Midnight (Interlude) by Yung Fryslân, Timothy Martin, Too Martian Song Details

Yung Fryslân, Timothy Martin, Too Martian's 'Midnight (Interlude)' had a release date set for October 9, 2020. With This song being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 3 in the song's album "Sangre Azul". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Turks and Caicos Islands. Based on our statistics, Midnight (Interlude)'s popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.

BPM and Tempo

With Midnight (Interlude) by Yung Fryslân, Timothy Martin, Too Martian having a BPM of 145 with a half-time of 72 BPM and a double-time of 290 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.

Music Key

The music key of this track is E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-5.289 dB
Acousticness
16%
Danceability
71%
Energy
73%
Instrumentalness
53%
Liveness
11%
Loudness
91%
Speechiness
33%
Valence
32%

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ISRC
TCAFD2002858
Label
L-M Records/RCA Records