Michael Price's ' "Behind the Fence" was released on its scheduled release date, May 7, 2010. The duration of This song is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Behind the Fence's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 16 in Dramedy by Michael Price, Rael Jones. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Behind the Fence's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Behind the Fence by Michael Price is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Thrombey Estate | Nathan Johnson | G Minor | 1 | 6A | 81 BPM | ||
| The Yellow House | Clint Mansell | D Minor | 2 | 7A | 100 BPM | ||
| Arrival at the Island | Mike Higham, Matthew Margeson | C Minor | 2 | 5A | 76 BPM | ||
| RSVP | Stuart Earl | C Minor | 4 | 5A | 87 BPM | ||
| The Establishment | Martin Phipps | B♭ Minor | 2 | 3A | 139 BPM | ||
| Chessboard Revealed | Jeff Beal | A♭ Major | 1 | 4B | 65 BPM | ||
| Rebuilding / Cuffed / Goodbye Old Friend | John Ottman | G Minor | 0 | 6A | 79 BPM | ||
| Mars | Harry Gregson-Williams | B♭ Major | 0 | 6B | 106 BPM | ||
| Streets of Paris | Johnny Klimek, Reinhold Heil, Tom Tykwer, Sir Simon Rattle, Berliner Philharmoniker | C Major | 3 | 8B | 65 BPM | ||
| Just Ask | Joseph Trapanese, The Budapest Art Orchestra | G Major | 3 | 9B | 83 BPM | ||
| Essex Leaving Harbor | Roque Baños | A♭ Major | 6 | 4B | 118 BPM | ||
| A Place Like This | Mike Higham, Matthew Margeson | G Minor | 1 | 6A | 120 BPM | ||
| It's Over | Atli Örvarsson | C Minor | 1 | 5A | 134 BPM | ||
| The Star Shines | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 2 | 8B | 130 BPM | ||
| Street. Horse. Smell. Candle. | Abel Korzeniowski | A Minor | 2 | 8A | 85 BPM | ||
| On the Eve of Harlan's Demise | Nathan Johnson | D Major | 1 | 10B | 88 BPM | ||
| Deep Shadow | T.T.L. | F Minor | 4 | 4A | 80 BPM | ||
| Cerebro | Henry Jackman | D Major | 2 | 10B | 109 BPM | ||
| The Dominoes Fall | Dario Marianelli | A Minor | 4 | 8A | 120 BPM | ||
| Magic of Childhood | Laurence Love Greed, Michael Price | E Major | 2 | 12B | 106 BPM | ||
| Secrets and Lies | Atli Örvarsson | A Minor | 2 | 8A | 75 BPM | ||
| The Imitation Game | Alexandre Desplat, London Symphony Orchestra | F Minor | 3 | 4A | 104 BPM | ||
| Mountbatten | Martin Phipps | E♭ Major | 1 | 5B | 73 BPM | ||
| Blossoming Chestnut Trees | Clint Mansell | D Minor | 1 | 7A | 67 BPM | ||
| Loki | Jared Moreno Luna | G Minor | 4 | 6A | 118 BPM |