Rodney Crowell's ' "Telephone Road" was released on its scheduled release date, 2001. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "The Houston Kid". In this album, this song's track order is #1. Based on our statistics, Telephone Road's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Telephone Road by Rodney Crowell having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Come On Funny Feelin' | Rodney Crowell | E Major | 6 | 12B | 186 BPM | ||
| It's Hard To Kiss The Lips At Night That Chew Your Ass Out All Day Long | The Notorious Cherry Bombs | F Major | 5 | 7B | 97 BPM | ||
| I Don't Like Half The Folks I Love | Paul Thorn | A♭ Major | 5 | 4B | 180 BPM | ||
| Hard Out Here | Hayes Carll | D Major | 7 | 10B | 108 BPM | ||
| Stumblin' | The Kentucky Headhunters, Johnnie Johnson | D Major | 9 | 10B | 123 BPM | ||
| Six Days on the Road | Mudcrutch | A Major | 8 | 11B | 153 BPM | ||
| The Bug | Mary Chapin Carpenter | D Major | 8 | 10B | 172 BPM | ||
| Hot Mouth Mama | Jason James | C Major | 3 | 8B | 135 BPM | ||
| I Don't Know Anybody in This Town | Greg Brown | G Major | 5 | 9B | 125 BPM | ||
| Jukebox | The Honeycutters | D Major | 5 | 10B | 116 BPM | ||
| True Love Never Dies | Kevin Welch | G Major | 9 | 9B | 104 BPM | ||
| California Country Boy | Cracker | E Major | 9 | 12B | 146 BPM | ||
| Somewhere Down The Road | James Intveld | D Major | 8 | 10B | 174 BPM | ||
| Henhouse | Ray Wylie Hubbard | D Major | 7 | 10B | 127 BPM | ||
| Down Home Country Blues | Ray Wylie Hubbard | A Major | 6 | 11B | 95 BPM | ||
| It Sure Was Better Back Then | Steve Forbert | F♯ Major | 8 | 2B | 139 BPM | ||
| I Got A Gig | Hayes Carll | E Major | 8 | 12B | 117 BPM | ||
| Parallel Bars | Robbie Fulks | D Major | 8 | 10B | 169 BPM | ||
| Texas Boogie | Dale Watson | G Major | 9 | 9B | 186 BPM | ||
| It Was a Train | Otis Gibbs | B Minor | 5 | 10A | 104 BPM | ||
| I Know Love Is All I Need | Rodney Crowell | C Major | 3 | 8B | 82 BPM | ||
| Slew Foot | James McMurtry | D Major | 6 | 10B | 111 BPM | ||
| Bad Bad Girl | Jimmy LaFave | G Major | 6 | 9B | 123 BPM | ||
| Stay Outta My Dreams | Kenny Vaughan | A Major | 8 | 11B | 103 BPM | ||
| Dusty Old Man | Tift Merritt | E♭ Major | 7 | 5B | 120 BPM |