Ravindra Sathe's ' "Sakhya Re Ghayal Mee Harini - Male Vocals" was released on its scheduled release date, December 1, 1974. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Sakhya Re Ghayal Mee Harini - Male Vocals's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Samana (Original Motion Picture Soundtrack)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from India. The popularity of Sakhya Re Ghayal Mee Harini - Male Vocals is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Sakhya Re Ghayal Mee Harini - Male Vocals by Ravindra Sathe having a BPM of 175 with a half-time of 88 BPM and a double-time of 350 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Utha Utha Ho Sakalik - Ganpati Song | Ravindra Sathe, Uttara Kelkar | A Major | 6 | 11B | 131 BPM | ||
| Magey Rahila Kasara Ghat Dharli Shirdichi Vaat | Sai bhakti | F♯ Minor | 9 | 11A | 170 BPM | ||
| Valan Vatatl Ya | Ravindra Sathe, Jayshri Shivram | D♭ Minor | 2 | 12A | 80 BPM | ||
| Datta Aarti | Neha Rajpal | A Minor | 7 | 8A | 84 BPM | ||
| Dnynoba Mauli Tukaram | Jayteerth Mevundi | D Major | 4 | 10B | 180 BPM | ||
| Mann No Moraliyo | Master Rana | A♭ Major | 4 | 4B | 69 BPM | ||
| Gajamukhane Ganapathiye | Latha Prasanth | G Major | 6 | 9B | 147 BPM | ||
| Datta Namaacha Karuni Gajar | Mahesh Kale | C Major | 7 | 8B | 78 BPM | ||
| Pratham Tula Vandito | Ravindra Sathe | G Minor | 6 | 6A | 89 BPM | ||
| Dhanya Dhanya Ho Pradakshina - Dattachi Aarti | Ravindra Sathe, Uttara Kelkar | E Major | 7 | 12B | 90 BPM | ||
| Yogi Shiva Mahadev (Hindi) | Sounds of Isha, Aishwarya Nigam, Mohit Chauhan | A Minor | 8 | 8A | 97 BPM | ||
| Ravan Rachit Shiv Tandav Stotram | Somesh Narvekar | A Major | 6 | 11B | 75 BPM | ||
| Shish Nawata Hoon | Jubin Nautiyal, Payal Dev | A♭ Major | 8 | 4B | 90 BPM | ||
| Adya Stotram | Debasish Chakraborty | F♯ Major | 6 | 2B | 88 BPM | ||
| Ruso Mama Piyambika | Pramod Medhi | E♭ Major | 5 | 5B | 102 BPM | ||
| Ye Chamak Ye Dhamak | Sudhir Vyas | A♭ Major | 6 | 4B | 106 BPM | ||
| Tarak Mantra | Ajit Kadkade | C Minor | 5 | 5A | 136 BPM | ||
| Achyuta Ashtakam | Om Voices | G Major | 3 | 9B | 141 BPM | ||
| Swami Samarth Aarti - Jai Dev Jai Shri Swami Samarth | Sejal Marathe | D Minor | 6 | 7A | 85 BPM | ||
| Karpur Gauram M | Ravindra Bijur | F Major | 1 | 7B | 105 BPM | ||
| Kalo Ki Kaal Mahakali | Manish Agrawal | D♭ Major | 7 | 3B | 102 BPM | ||
| Shantakaram Bhujagashayanam by 108 Brahmins | Brahmins | G Major | 7 | 9B | 120 BPM | ||
| Karmno Sangathi | Hari Bharwad | B Major | 6 | 1B | 116 BPM | ||
| Dakshin Kalika Dhyan | Debasish Chakraborty | E♭ Minor | 5 | 2A | 78 BPM | ||
| Yam Yam Yam Yaksha Roopam (Maha Kalabhairav Ashtakam) | Anuratn Rai, Ravi Khanna | D Major | 7 | 10B | 95 BPM |