"Brillance / IV. Final" by Ida Gotkovsky, Mathieu Gaulin, Jacynthe Riverin had its release date on January 25, 2011. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Brillance / IV. Final's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 21 in Brillance: Ragtime to Modernism by Mathieu Gaulin, Jacynthe Riverin. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Brillance / IV. Final is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Brillance / IV. Final by Ida Gotkovsky, Mathieu Gaulin, Jacynthe Riverin is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Raga Music: Vibhasa (Sunrise) | John Mayer, José María Belló García | A♭ Major | 0 | 4B | 135 BPM | ||
| Brillance: I. Déclamé | Ida Gotkovsky, Duo Brillance | A Minor | 0 | 8A | 144 BPM | ||
| Bene Feast | Estoria | E♭ Major | 0 | 5B | 139 BPM | ||
| Trio for Oboe, Bassoon and Piano: 3. Rondo | Francis Poulenc, Hansjorg Schellenberger, Milan Turkovic, James Levine | D♭ Major | 2 | 3B | 71 BPM | ||
| Bartók / Compl. Serly: Viola Concerto, Sz. 120: III. Allegro Vivace | Béla Bartók, Tabea Zimmermann, David Shallon, Bavarian Radio Symphony Orchestra | D♭ Major | 0 | 3B | 64 BPM | ||
| Les chemins de l'amour, FP 106 (Arr. for Oboe and Piano by Serol Yapici) | Francis Poulenc, Serol Yapici, Tudor Cioceanu | E♭ Major | 0 | 5B | 139 BPM | ||
| Saxophone Sonata in C-Sharp Major: I. Tres modéré, expressif | Fernande Decruck, Claude Delangle, Odile Delangle | E Major | 0 | 12B | 107 BPM | ||
| Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Louise Bessette, Cameron Crozman, Dominic Desautels, Mark Lee | E♭ Major | 0 | 5B | 139 BPM | ||
| Caplet: Quintet for Piano & Winds, Op. 8: II. Adagio | André Caplet, Les Vents Français | F♯ Minor | 1 | 11A | 131 BPM | ||
| Tuba Suite: II. Andante espressivo | Don Haddad, David Zerkel, Paolo Andre Gualdi | B♭ Minor | 3 | 3A | 79 BPM | ||
| Tempus fugit: III. Part 3 | Magnus Lindberg, NDR Elbphilharmonie Orchester, Alan Gilbert | A Major | 2 | 11B | 92 BPM | ||
| Trumpet Concerto, Op. 18: III. Rondo. Allegro scherzando | Oskar Böhme, Matthias Höfs, Tarmo Peltokoski, Deutsche Kammerphilharmonie Bremen | E♭ Major | 1 | 5B | 89 BPM | ||
| Solace (A Lyric Concerto): I. Joy | Joel Love, Zachary Shemon, Conservatory Wind Symphony of the University of Missouri—Kansas City, Steven D. Davis | E♭ Major | 2 | 5B | 132 BPM | ||
| Martinu: Piano Quartet No. 1, H. 287: II. Adagio | Bohuslav Martinů, Domus | D Minor | 1 | 7A | 85 BPM | ||
| Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Louise Bessette, Cameron Crozman, Dominic Desautels, Mark Lee | E♭ Major | 0 | 5B | 139 BPM | ||
| Grieg: The Mountain Maid, Op. 67: No. 3, Blueberry Slope (Transcr. for Trumpet and Piano) | Edvard Grieg, Tine Thing Helseth, Håvard Gimse | F Major | 1 | 7B | 106 BPM | ||
| Sonata Santera: II. Ofrenda | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Light of Sothis: I. Grace | Amy Quate, Alex Mitchell, Jeremy Limb | C Major | 1 | 8B | 108 BPM | ||
| The Dreams & Prayers of Isaac the Blind: Postlude | Osvaldo Golijov, Emil Jonason, Vamlingbo Quartet | N/A | N/A | N/A | 0 BPM | ||
| Träumerei, Op. 15 No. 7 | Robert Schumann, Michael Collins, Michael McHale | G Major | 1 | 9B | 99 BPM | ||
| Cosmic Journey | Nomad Skies | B Major | 4 | 1B | 123 BPM | ||
| Saxophone Concerto, Op. 59 "Cyber-bird": III. Bird in the Wind | Takashi Yoshimatsu, Sachio Fujioka, BBC Philharmonic, Nobuya Sugawa | G Minor | 2 | 6A | 114 BPM | ||
| Quatuor De Saxophones, II. Lent | Ida Gotkovsky, Zzyzx Quartet | G Major | 0 | 9B | 71 BPM | ||
| Aria | Eugène Bozza, Koryun Asatryan, Eun Bae Jang | G Minor | 0 | 6A | 69 BPM | ||
| Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | E♭ Major | 0 | 5B | 139 BPM |