"Crawling Sequence" by Donald Rubinstein had its release date on 1999. With This song being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Donald Rubinstein's "George A. Romero's Martin" album is number 16 out of 22. Based on our statistics, Crawling Sequence's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Crawling Sequence by Donald Rubinstein to be Allegro (fast, quick, and bright) because the track has a tempo of 145 BPM, a half-time of 72BPM, and a double-time of 290 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chorus of Sirens | Bobby Krlic | A Major | 2 | 11B | 85 BPM | ||
| Cosmópolis | Gabriel Andrés Gallegos | B♭ Major | 1 | 6B | 139 BPM | ||
| Frankenstein Walks | Donald Rubinstein | A Minor | 2 | 8A | 63 BPM | ||
| Chant | Donald Rubinstein | D Minor | 2 | 7A | 72 BPM | ||
| Toxic Moon | SQÜRL | A Minor | 1 | 8A | 73 BPM | ||
| Don't Want Much | Donald Rubinstein | C Major | 1 | 8B | 180 BPM | ||
| Modern chorusmusic: Lux Aeterna | György Ligeti, Helmut Franz, Chor des Norddeutschen Rundfunks | A Minor | 1 | 8A | 66 BPM | ||
| Conversational Strings | Marina Frescobaldi | A♭ Major | 2 | 4B | 139 BPM | ||
| Through Pain to Heaven | Popol Vuh | B Major | 5 | 1B | 100 BPM | ||
| The Shock | Libra | D Major | 7 | 10B | 135 BPM | ||
| She Was Weird | Donald Rubinstein | D Major | 2 | 10B | 75 BPM | ||
| Mineshaft Chase | Fred Myrow, Malcolm Seagrave | C Major | 2 | 8B | 99 BPM | ||
| Memories Of Adventure | GLΔD | F Major | 2 | 7B | 100 BPM | ||
| Philosophy for Living | Lip Stick | C Major | 5 | 8B | 78 BPM | ||
| The Clown, They're Here, Broken Glass, The Hole & TV People | Jerry Goldsmith | F♯ Minor | 1 | 11A | 124 BPM | ||
| Mystery's Apotheosis - Alternative Version | Fabio Frizzi | A Minor | 4 | 8A | 146 BPM | ||
| Desert | Bass Lover | C Major | 2 | 8B | 131 BPM | ||
| Hårga, Collapsing | Bobby Krlic | A Major | 7 | 11B | 84 BPM | ||
| Triumph On Your Knees | DePaul Osaze | E♭ Major | 2 | 5B | 100 BPM | ||
| Prologue | Joseph Loduca | E Major | 2 | 12B | 170 BPM | ||
| Cabrini Green | Philip Glass, Michael Riesman, The Western Wind | G Minor | 1 | 6A | 115 BPM | ||
| Main Titles | Richard Band | A Minor | 2 | 8A | 59 BPM | ||
| Mermaid Lust / Stabbing the Charm | Mark Korven | A Minor | 5 | 8A | 97 BPM | ||
| Nocturne in C-Sharp Minor, B. 49 (Arr. for Theremin & Piano) | Frédéric Chopin, Clara Rockmore, Nadia Reisenberg | G Major | 0 | 9B | 73 BPM | ||
| Epilogue | John Harrison | D♭ Major | 5 | 3B | 136 BPM |