"Der Sieg des Glaubens, Op. 157, Pt. 2: Wir kommen" by Ferdinand Ries, Rheinische Kantorei, Das Kleine Konzert, Hermann Max had its release date on March 22, 2013. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 23 in the song's album "Ries: Der Sieg des Glaubens, Op. 157". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Germany. Der Sieg des Glaubens, Op. 157, Pt. 2: Wir kommen is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der Sieg des Glaubens, Op. 157, Pt. 2: Wir kommen by Ferdinand Ries, Rheinische Kantorei, Das Kleine Konzert, Hermann Max having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nocturne, Op. 9,2 | Frédéric Chopin, Joanna Madroszkiewicz, Paul Gulda | E♭ Major | 0 | 5B | 115 BPM | ||
| Piano Quintet in A Major, Op. 114, D 667 - "The Trout": II. Andante | Franz Schubert, Anne-Sophie Mutter, Daniil Trifonov, Hwayoon Lee, Maximilian Hornung, Roman Patkoló | A Minor | 1 | 8A | 56 BPM | ||
| Etude in C-Sharp Minor, Op. 25/7 | Frédéric Chopin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 67 BPM | ||
| Paderewski: 6 Humoresques de concert, Op. 14, Cahier I "À l'antique": No. 1, Menuet célèbre | Ignacy Jan Paderewski, Mariam Batsashvili | G Major | 1 | 9B | 106 BPM | ||
| Piano Concerto No. 3 in C-Sharp Minor, Op. 55: II. Larghetto | Ferdinand Ries, Maria Littauer, Hamburg Symphony Orchestra, Alois Springer | D Major | 0 | 10B | 70 BPM | ||
| Sonatina, Op. 100: Scherzo. Molto vivace | Antonín Dvořák, Josef Suk, Alfréd Holeček | G Major | 2 | 9B | 131 BPM | ||
| Piano Sonata in G major, op.78 D.894, "Fantaisie": Piano Sonata in G major, op.78 D.894, "Fantaisie": III. Menuetto. Allegro moderato | Franz Schubert, Paul Lewis | D Major | 0 | 10B | 86 BPM | ||
| Bach, J.S.: Keyboard Concerto No. 5 in F Minor, BWV 1056: III. Presto | Johann Sebastian Bach, David Fray, Deutsche Kammerphilharmonie Bremen | F Minor | 2 | 4A | 109 BPM | ||
| Fantasie in F Minor, D. 940, Op. 103: IV. Finale. Tempo primo | Franz Schubert, Andreas Staier, Alexander Melnikov | C Major | 1 | 8B | 115 BPM | ||
| Piano Concerto in D Major, Wq. 11: III. Allegro | Carl Philipp Emanuel Bach, Michael Rische, Berliner Barock Solisten | D Major | 1 | 10B | 102 BPM | ||
| Masques et Bergamasques, suite, Op.112: 2. Menuet | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 146 BPM | ||
| Bach, JS: Piano Concerto No. 7 in G Minor, BWV 1058: II. Andante | Johann Sebastian Bach, David Fray, Deutsche Kammerphilharmonie Bremen | G Minor | 2 | 6A | 123 BPM | ||
| Piano Trio No. 1 in B Major, Op. 8: II. Scherzo (Allegro molto) | Johannes Brahms, Maria João Pires, Augustin Dumay, Jian Wang | B Major | 1 | 1B | 79 BPM | ||
| Klänge, Op. 66/1 | Johannes Brahms, Nils Mönkemeyer | C Major | 0 | 8B | 83 BPM | ||
| Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits (Arr. for Piano by Giovanni Sgambati) | Christoph Willibald Gluck, Dmitry Paperno | D Minor | 0 | 7A | 76 BPM | ||
| Symphony No. 1 in D Major, Op. 23: I. Adagio - Allegro molto vivace | Ferdinand Ries, Tapiola Sinfonietta, Janne Nisonen | C Major | 2 | 8B | 142 BPM | ||
| Piano Sonatina in F Major, Op. 55, No. 4: II. Andantino con espressione | Friedrich Kuhlau, Jenő Jandó | B♭ Major | 0 | 6B | 81 BPM | ||
| Piano Sonata in C Minor: I. Allegro moderato e con espressione | Fanny Mendelssohn, Heather Schmidt | E Major | 1 | 12B | 114 BPM | ||
| Violin Sonata No. 2 in G Major, Op. 13: III. Allegro animato | Edvard Grieg, Frederic Chiu, Pierre Amoyal | D♭ Major | 3 | 3B | 110 BPM | ||
| Rêverie, CD 76 - Excerpt | Claude Debussy, Steven Osborne | G Major | 1 | 9B | 71 BPM | ||
| Haydn: Piano Concerto in D Major, Hob. XVIII:11: II. Un poco adagio | Joseph Haydn, Leif Ove Andsnes, Norwegian Chamber Orchestra | A Minor | 0 | 8A | 78 BPM | ||
| Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Yevgeny Sudbin | G Major | 2 | 9B | 169 BPM | ||
| Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": I. Allegro animato | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | F Major | 2 | 7B | 81 BPM | ||
| Kyllikki - Three Lyrical Pieces for Piano, Op. 41: I. Largamente | Jean Sibelius, Leif Ove Andsnes | E♭ Minor | 1 | 2A | 133 BPM | ||
| Piano Concerto No. 5 in D Major, Op. 120, "Pastoral": III. Allegro | Ferdinand Ries, Christopher Hinterhuber, Bournemouth Symphony Orchestra, Uwe Grodd | D Major | 1 | 10B | 101 BPM |