"Wagner: Tannhäuser: Overture (1861 Paris Version)" by Richard Wagner, Herbert von Karajan, Berliner Philharmoniker had its release date on December 26, 2025. This song appears to be safe for all ages as it is not explicit. The track order of this song in Richard Wagner, Herbert von Karajan, Berliner Philharmoniker's "Karajan Conducts Wagner, Vol. 1: Tannhäuser, Lohengrin & Tristan und Isolde" album is number 1 out of 5. On top of that, United Kingdom appears to be the country where this track was created. Wagner: Tannhäuser: Overture (1861 Paris Version) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Wagner: Tannhäuser: Overture (1861 Paris Version) by Richard Wagner, Herbert von Karajan, Berliner Philharmoniker to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Holberg Suite, Op. 40: I. Praeludium. Allegro vivace | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 134 BPM | ||
| Symphony No. 9: IIa. Im Tempo eines gemächlichen Ländler - Live at Philharmonie, Berlin, 1982 | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 82 BPM | ||
| Symphony No. 9: IIb. Poco più mosso subito - Live at Philharmonie, Berlin, 1982 | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 82 BPM | ||
| Ancient Airs & Dances, Suite III, P. 172: IV. Passacaglia (Roncalli) | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 119 BPM | ||
| Orchestervorspiel | Berliner Philharmoniker, Chor der Deutschen Oper Berlin | A Major | 2 | 11B | 119 BPM | ||
| Smetana: The Bartered Bride: Polka | Bedřich Smetana, Sir Charles Mackerras, Philharmonia Orchestra | A♭ Major | 0 | 4B | 96 BPM | ||
| 24 Preludes, Op. 34: No. 1 in C Major, Moderato | Dmitri Shostakovich, Dudok Quartet Amsterdam | D Major | 1 | 10B | 76 BPM | ||
| Symphony No. 4, Op. 60 "Symphonie Concertante": III. Allegro non troppo, ma agitato ad ausioso | Karol Szymanowski, Szymon Nehring, Polish National Radio Symphony Orchestra, Marin Alsop | A♭ Major | 0 | 4B | 96 BPM | ||
| Brahms: Ein deutsches Requiem, Op. 45: V. Ihr habt nun Traurigkeit | Johannes Brahms, Herbert von Karajan, Anna Tomowa-Sintow, Wiener Singverein, Berliner Philharmoniker | G Major | 1 | 9B | 86 BPM | ||
| Wagner: Die Meistersinger von Nümberg, Act 1: Prelude | Richard Wagner, Herbert von Karajan, Berliner Philharmoniker | C Major | 3 | 8B | 101 BPM | ||
| Bizet: Petite suite des "Jeux d'enfants", Op. 22, WD 39: IV. Duo "Petit mari, petite femme" | Georges Bizet, Alexander Gibson, Scottish National Orchestra | A♭ Major | 0 | 4B | 96 BPM | ||
| Strauss II, J: Unter Donner und Blitz, Op. 324 | Johann Strauss II, Herbert von Karajan, Philharmonia Orchestra | G Major | 8 | 9B | 86 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: II. Sonnenaufgang | Richard Strauss, Berliner Philharmoniker, Seiji Ozawa | A Major | 3 | 11B | 62 BPM | ||
| Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto | Béla Bartók, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 96 BPM | ||
| Brahms: Symphony No. 1 in C Minor, Op. 68: III. Un poco allegretto e grazioso | Johannes Brahms, Nikolaus Harnoncourt, Berliner Philharmoniker | E Minor | 1 | 9A | 81 BPM | ||
| Schubert: Symphony No. 2 in B-Flat Major, D. 125: III. Menuetto. Allegro vivace | Franz Schubert, Herbert von Karajan, Berliner Philharmoniker | A♭ Major | 0 | 4B | 96 BPM | ||
| Notre Dame - Intermezzo | Herbert von Karajan | G Major | 2 | 9B | 118 BPM | ||
| Rossini: La Cenerentola: Overture | Gioachino Rossini, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 1 | 6B | 147 BPM | ||
| Raven Speaks | Jeremy Soule | A♭ Major | 0 | 4B | 96 BPM | ||
| Serenade for Strings in C, Op. 48: 3. Elégie: Larghetto elegiaco | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Semyon Bychkov | B♭ Minor | 0 | 3A | 66 BPM | ||
| Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": III. Molto vivace | Antonín Dvořák, Herbert von Karajan, Berliner Philharmoniker | D♭ Minor | 1 | 12A | 86 BPM | ||
| Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": 1. Lebhaft | Robert Schumann, Berliner Philharmoniker, James Levine | D♭ Minor | 1 | 12A | 130 BPM | ||
| Berlioz: Harold en Italie, Op. 16, H. 68: III. Allegro assai - Allegretto (Sérénade d'un montagnard des Abruzzes à sa maîtresse) | Hector Berlioz, Leonard Bernstein, Orchestre National De France | C Major | 1 | 8B | 85 BPM | ||
| Symphony No. 9: Ib. Etwas frischer - Live at Philharmonie, Berlin, 1982 | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 175 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: I. Vorspiel. Allegro moderato | Max Bruch, Berliner Philharmoniker, Seiji Ozawa, Pierre Amoyal | C Minor | 1 | 5A | 117 BPM |