"A Fine Night" by Rael Jones had its release date on May 19, 2017. The duration of This song is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. A Fine Night's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Rael Jones's "Harlots (Original Television Soundtrack)" album is number 38 out of 54. On top of that, United Kingdom appears to be the country where this track was created. A Fine Night is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of A Fine Night by Rael Jones to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Elisabeth or no other | Johannes Lehniger, Lisa Morgenstern, Sebastian Damerius | D Major | 3 | 10B | 49 BPM | ||
| Maria's Room | Christian Henson | B Major | 2 | 1B | 122 BPM | ||
| Neverland - Piano Variation In Blue - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | C Major | 1 | 8B | 121 BPM | ||
| Goodnight Dear Void | George Fenton | E Minor | 1 | 9A | 115 BPM | ||
| Cornelia and Eli | Federico Jusid | F Minor | 0 | 4A | 81 BPM | ||
| You Moved! | David Hirschfelder | B♭ Major | 2 | 6B | 92 BPM | ||
| This City Is Ours | Rael Jones | G Major | 2 | 9B | 70 BPM | ||
| Daniel and Ruth | Mark Isham | G Major | 1 | 9B | 120 BPM | ||
| Hollywood Royalty | John Debney | E♭ Minor | 2 | 2A | 97 BPM | ||
| Mathilda | Sharon Farber | D Minor | 2 | 7A | 81 BPM | ||
| A Strange Shape | Kevin Smuts | B Major | 1 | 1B | 110 BPM | ||
| The Rain | Maurizio Malagnini | G Major | 2 | 9B | 89 BPM | ||
| 'I'm Painting Again' | Nigel Westlake | G Major | 2 | 9B | 70 BPM | ||
| Loango | David Schweitzer | A♭ Minor | 2 | 1A | 140 BPM | ||
| Last Days of Innocence | Christopher Willis | D Major | 2 | 10B | 49 BPM | ||
| A Palermo | Jeff Russo | G Minor | 0 | 6A | 173 BPM | ||
| Party Guests | Harry Gregson-Williams, Rupert Gregson-Williams | F♯ Major | 5 | 2B | 190 BPM | ||
| The Confession | Jordan Seigel | G Minor | 1 | 6A | 74 BPM | ||
| Tema di Jane | Claudio Capponi, Alessio Vlad | D Major | 2 | 10B | 82 BPM | ||
| A Promise to Return | Michael Price, Rael Jones | E♭ Major | 4 | 5B | 140 BPM | ||
| Brideshead Revisited: No. 21, The End of Our Day | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | E♭ Major | 0 | 5B | 114 BPM | ||
| Bisceglia: Concerto for Trumpet and Orchestra: in None: II. Largo con alcun animato | Michelino Bisceglia, Benny Wiame, Hungarian Studio Orchestra | G Major | 1 | 9B | 111 BPM | ||
| Masked Like the Night | Michael Price, Rael Jones | D Major | 3 | 10B | 140 BPM | ||
| I Am Every Shell Washed Upon The Shore - From The Motion Picture “Where The Crawdads Sing” | Mychael Danna | E Minor | 1 | 9A | 98 BPM | ||
| Brideshead Revisited: No. 12, The Lido | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | D Minor | 2 | 7A | 139 BPM |