On 2001, the song "05 Seven Come Eleven" was released by Charlie Christian. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of When Lights Are Low by Charlie Christian. The song's track number on the album is #5 out of 20 tracks. The popularity of 05 Seven Come Eleven is currently not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since 05 Seven Come Eleven by Charlie Christian has a tempo of 163 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With 05 Seven Come Eleven being at 163 BPM, the half-time would be 82 BPM with a double-time of 326 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sidewalk Blues | Jelly Roll Morton & His Red Hot Peppers | E♭ Major | 3 | 5B | 77 BPM | ||
| Alabamy bound | Fletcher Henderson | D♭ Major | 5 | 3B | 114 BPM | ||
| Rose Room | Charlie Christian | D♭ Major | 3 | 3B | 146 BPM | ||
| A Viper's Moan (01-04-35) | Willie Bryant | D♭ Major | 4 | 3B | 75 BPM | ||
| Drop Me Off In Harlem | Charlie Barnet, Charlie Barnet & His Orchestra | G Minor | 6 | 6A | 149 BPM | ||
| Dixieland Shuffle | Bob Crosby & His Orchestra | A♭ Major | 3 | 4B | 102 BPM | ||
| Organ Grinder's Swing | Jimmie Lunceford | F Minor | 1 | 4A | 118 BPM | ||
| Georgia Grind | Louis Armstrong & His Hot Five | A♭ Major | 2 | 4B | 140 BPM | ||
| He Ain't Got Rhythm | Jimmie Lunceford & His Orchestra | F Minor | 3 | 4A | 91 BPM | ||
| Stompin' At the Savoy - 1999 - Remaster | Gene Krupa | D♭ Major | 5 | 3B | 72 BPM | ||
| Leapin' on Lenox | Eddie "Lockjaw" Davis | D♭ Major | 4 | 3B | 120 BPM | ||
| Up In The Blues | Freddie Green | C Major | 4 | 8B | 197 BPM | ||
| Struttin' with Some Barbecue - 78 rpm Version | Louis Armstrong & His Hot Five | A♭ Major | 3 | 4B | 96 BPM | ||
| Big Black Buffalo - 1943 | Raymond Scott, The CBS Orchestra | G Major | 4 | 9B | 114 BPM | ||
| Frantonality - Version 2 | Erroll Garner Trio | E♭ Minor | 1 | 2A | 129 BPM | ||
| Till Tom Special | Charlie Christian | F Minor | 3 | 4A | 176 BPM | ||
| Non Stop Flight | Artie Shaw and His Orchestra | E♭ Major | 4 | 5B | 206 BPM | ||
| Illinois Goes To Chicago | Illinois Jacquet | D♭ Major | 2 | 3B | 173 BPM | ||
| Shorty's Got to Go | Lucky Millinder | D Major | 3 | 10B | 202 BPM | ||
| Savoy Blues | Kid Ory's Creole Jazz Band | G Minor | 4 | 6A | 126 BPM | ||
| After You've Gone 1 | Teddy Wilson, Benny Carter | F Minor | 4 | 4A | 123 BPM | ||
| Knock Me A Kiss | Louis Jordan & His Tympany Five | E♭ Major | 2 | 5B | 116 BPM | ||
| Doctor Jazz | Jelly Roll Morton | D Major | 3 | 10B | 202 BPM | ||
| Harlem Shout | Jimmie Lunceford & His Orchestra | C Minor | 4 | 5A | 109 BPM | ||
| West End Blues | Charlie Barnet, Charlie Barnet & His Orchestra | D♭ Major | 3 | 3B | 80 BPM |