On July 5, 2006, the song "Neelkanth Mandir Mein Bhole" was released by Pt. Ram Avtar Sharma, Rajneesh Sharma, Shivani Chanana. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 11 in Bhole Ki Fouj Karegi Mouj by Ramavtar Sharma, Rajneesh Sharma, Shivani Chanana. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Neelkanth Mandir Mein Bhole's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Neelkanth Mandir Mein Bhole by Pt. Ram Avtar Sharma, Rajneesh Sharma, Shivani Chanana is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Maine Ratna Lagai | Sadhvi Purnima Ji | A♭ Minor | 5 | 1A | 75 BPM | ||
| Mayi Ho Didiya Kanha Gayili | Arvind Akela Kallu Ji | B♭ Minor | 9 | 3A | 154 BPM | ||
| Siyaram Janki Rehte Hain | Ramkumar Lakha | F♯ Major | 7 | 2B | 100 BPM | ||
| Guru Sharan Mein Rehna | Prahlad Singh Tipaniya, Devnarayan Saroliya, Ajay Tipaniya | F♯ Major | 6 | 2B | 138 BPM | ||
| bagad desha vich vasdi meri sarkar hai | Ashu Verma | F Major | 9 | 7B | 71 BPM | ||
| Bhakt Ik Shiv Ka Chala | Kumar Vishu | F♯ Major | 5 | 2B | 99 BPM | ||
| Ruat Aai Bole Mira Re | Moinuddin Manchala, Prakash Mali | E♭ Major | 7 | 5B | 95 BPM | ||
| Bhavani Mere Ghar Aana | Manish Agrawal | B Major | 7 | 1B | 95 BPM | ||
| Jehne Karam Likhlau | Arvind Singh | A♭ Major | 8 | 4B | 159 BPM | ||
| Banda Sa Lage Shyam | Rajni Rajasthani | F♯ Minor | 7 | 11A | 90 BPM | ||
| Dya Karo prit Balama | Halke Ram Kushwah | C Minor | 9 | 5A | 98 BPM | ||
| Meri Laaj Bachane Aaja | Rajneesh Sharma | D♭ Major | 8 | 3B | 164 BPM | ||
| Meri Barsane Kutiya Banade Ladli | Pooja Sakhi | D Major | 2 | 10B | 100 BPM | ||
| Kaya Nagar Re Bich | Moinuddin Manchala | D♭ Major | 8 | 3B | 92 BPM | ||
| Chitrakoot Mein Divari Deepdan Mahima Bundeli Bhajan | Chandra Bhushan Pathak | D♭ Major | 8 | 3B | 139 BPM | ||
| Dhun Bansi Ki Sunke O Saware | Rahul Savera | B♭ Minor | 9 | 3A | 140 BPM | ||
| Karuna Bhare Kripa Bhare | K. S. Chithra, Vichitra | E♭ Major | 9 | 5B | 88 BPM | ||
| Om Shri Shyam Devay Namaha | Lakhbir Singh Lakkha | A♭ Major | 7 | 4B | 80 BPM | ||
| Kanha Apni Murli Ki Taan Pe | Pt. Ram Avtar Sharma, Rajneesh Sharma, Shivani Chanana | C Major | 8 | 8B | 124 BPM | ||
| Deva Ho Deva Oh Saibaba | Paras Jain | E♭ Minor | 6 | 2A | 98 BPM | ||
| Piya Ri Vani Mat Bol | Sant Bhajana Nand | D♭ Major | 8 | 3B | 109 BPM | ||
| Aapne Piya Ki Meera | Moinuddin Manchala, Prakash Mali | E♭ Major | 7 | 5B | 95 BPM | ||
| Deewano Thare Naam Ro | Shyam Paliwal | F Minor | 7 | 4A | 102 BPM | ||
| Dulha Bane Hai Shri Ram | Pandit Gaurangi Gauri Ji | G Major | 8 | 9B | 170 BPM | ||
| Pani Pathara na Gale | Halke Ram Kushwah | A♭ Major | 9 | 4B | 104 BPM |