"Atma Shatak" by Bharat Balvalli had its release date on January 1, 2012. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Namo Brahma Swarupaya". In this album, this song's track order is #13. Furthermore, we believe that the track originated from India. Based on our statistics, Atma Shatak's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Atma Shatak by Bharat Balvalli having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nrisimha Mantra | Prakrithi Suresh | E Major | 1 | 12B | 83 BPM | ||
| Om Venkatesaya Namaha (Chanting) | Ramu | D Major | 1 | 10B | 77 BPM | ||
| Adi shiv | Harshit Tiwari, Mrityunjay Hirmeth, Mritunjay Hirmeth | C Major | 5 | 8B | 160 BPM | ||
| Tu Hi Nirankar Mai Teri Sharan Haan | Sudiksha Ji | E Major | 4 | 12B | 99 BPM | ||
| Datta Brahmachari Re Brahmachari | Anandraj Manik Prabhu | E♭ Major | 6 | 5B | 180 BPM | ||
| Shree vyankatesh stotram | Vaibhavi Shrikant Shete | D Major | 3 | 10B | 66 BPM | ||
| Sri Mahalakshmi Ashtakam | Parupalli Sri Ranganath | C Major | 3 | 8B | 79 BPM | ||
| Devamanohari Minus | Sreedharan Pillai S, Perumbavoor G. Raveendranath, Saritha Rajiv | B Minor | 5 | 10A | 116 BPM | ||
| Mata Chintpurni Aarti | BHAKTI MARG, Saleem | A♭ Minor | 4 | 1A | 90 BPM | ||
| Kunja-Bihari | Sevaradhika Devi Dasi | D♭ Major | 9 | 3B | 102 BPM | ||
| Ganpati Sankat Nashan Stotra | Pradeep Bhinde | D Major | 3 | 10B | 85 BPM | ||
| Harinam Kirtan by The Mayapur Vasis | The Mayapur Vasis, MayapurTV Music | D Minor | 5 | 7A | 86 BPM | ||
| Shantam Shashvatamaprameyamanghamh | Aanjaneya Sharma | C Major | 2 | 8B | 138 BPM | ||
| Bhava Vinodini Maa | Connecting Lives | A Major | 9 | 11B | 150 BPM | ||
| Sri Lakshmi Dwadasa Naa Stothram | D.V. Ramani, Somayajula Murty, Mambalam Sisters | C Major | 5 | 8B | 160 BPM | ||
| Ujjwal Baron Gourabaro Dehong | Padma Palash | D♭ Major | 6 | 3B | 154 BPM | ||
| బిల్వాష్టకం | Sasidhar Darla | G Major | 3 | 9B | 171 BPM | ||
| Asmin Paraathman 11 times | Sukeerti Ranganathan | B Major | 8 | 1B | 130 BPM | ||
| Siddha Kunjika Stotram | Inner Splendor, Vedika Godbole | B♭ Major | 1 | 6B | 113 BPM | ||
| Rahu Mantra | Umesh Joshi, Shantanu Herlekar, Vijay Dhuri, Rucha Soman, Pragati Joshi | G Minor | 3 | 6A | 116 BPM | ||
| Modamodalu | Sri Ganapathy Sachchidananda Swamiji | C Major | 5 | 8B | 109 BPM | ||
| Veero Prabhuji Jagdheero Ri | Raagopanishad, Bharat Balvalli | D♭ Major | 6 | 3B | 115 BPM | ||
| Tya Trishula Samati | Pt. Dr. Parag Choudhari, Meenakshi Parag Choudhari | A Minor | 7 | 8A | 84 BPM | ||
| Sri Vishnu Bhagavan Arati | Bhakti Marga Music | F♯ Major | 1 | 2B | 84 BPM | ||
| Om Pram preem prom sah Shaneshcharay Namah (Tantrokt Shani Mantra) | Prem Prakash Dubey | A♭ Major | 1 | 4B | 97 BPM |