George Frideric Handel, Ensemble SYD, Camerata Nordica, Daniel Hansson's ' "Dixit Dominus, HWV 232: No. 8, Gloria Patri" was released on its scheduled release date, May 26, 2023. This song is about six minutes long, preciously at 6:02, making this song fairly long compared to other songs. There are a total of 17 in the song's album "Qualities of Darkness". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Dixit Dominus, HWV 232: No. 8, Gloria Patri's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Dixit Dominus, HWV 232: No. 8, Gloria Patri by George Frideric Handel, Ensemble SYD, Camerata Nordica, Daniel Hansson having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| King Arthur, Z. 628: How blest are shepherds | Henry Purcell, John Dryden, Petter Udland Johansen, Die Freitagsakademie, Katharina Suske | F♯ Major | 1 | 2B | 111 BPM | ||
| Denn du wirst meine Seele nicht in der Hölle lassen, JLB 21: VII. Ihr klaget mit Seufzen | Johann Ludwig Bach, Carine Tinney, William Shelton, Capella Sollertia, Johanna Soller | B Major | 2 | 1B | 91 BPM | ||
| Durch sein Erkenntnis, JLB 15: I. Durch sein Erkenntnis | Johann Ludwig Bach, Sebastian Myrus, Capella Sollertia, Johanna Soller | B Major | 2 | 1B | 91 BPM | ||
| Missa Sancti Pauli: No. 5, Et in terra pax | Francesco Bartolomeo Conti, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | D Major | 2 | 10B | 105 BPM | ||
| Purcell: Dido and Aeneas, Z. 626, Act 2: "Thanks to These Lonesome Vales" (Belinda, Chorus) | Henry Purcell, Maxim Emelyanychev, Fatma Said, Il Pomo D'oro, Il pomo d'oro Choir | F♯ Minor | 0 | 11A | 172 BPM | ||
| "Christ lag in Todesbanden" BWV 4 (Appendix): [Coro] Versus I: "Christ lag in Todesbanden" | Johann Sebastian Bach, Ton Koopman | F♯ Major | 3 | 2B | 91 BPM | ||
| Credo, RV. 591: Coro "Crucifixus etiam pro nobis" | Antonio Vivaldi, Les Arts Florissants, Paul Agnew | B Minor | 1 | 10A | 75 BPM | ||
| Arripe alpestri ad vallem: Sereni affectus mei | Il Seminario Musicale, Gérard Lesne | E Major | 0 | 12B | 70 BPM | ||
| Mass in D Minor: Kyrie. Christe eleison | Johann Adolf Hasse, Mária Zádori, Lena Susanne Norin, Hans-Jörg Mammel, Klaus Mertens, Rheinische Kantorei, Das Kleine Konzert, Hermann Max | F♯ Minor | 1 | 11A | 71 BPM | ||
| Semele, HWV 58, Act II Scene 4: Bless the Glad Earth With Heav'nly Lays | George Frideric Handel, Ambrosian Opera Chorus, English Chamber Orchestra, John Nelson | B♭ Major | 1 | 6B | 106 BPM | ||
| Missa Divi Xaverii, ZWV 12: Christe eleison | Jan Dismas Zelenka, Hana Blaziková, Collegium 1704, Vaclav Luks | F♯ Minor | 0 | 11A | 166 BPM | ||
| Handel: Dixit Dominus, HWV 232: VII. De torrente in via bibet | George Frideric Handel, Emmanuelle Haïm, Karine Deshayes, Le Concert d'Astrée, Natalie Dessay | F♯ Minor | 4 | 11A | 132 BPM | ||
| Semele, HWV 58 / Act 3: Happy Shall We Be | George Frideric Handel, Ambrosian Opera Chorus, English Chamber Orchestra, John Nelson | D Major | 3 | 10B | 130 BPM | ||
| Handel: Concerto Grosso in D Major, Op. 6 No. 5, HWV 323: VI. Menuet (Un poco larghetto) | George Frideric Handel, Nikolaus Harnoncourt, Concentus Musicus Wien | F♯ Major | 3 | 2B | 120 BPM | ||
| Messe h-Moll, BWV 232: XXI. Credo "Et expecto" | Johann Sebastian Bach, Chor der J. S. Bach-Stiftung, Orchester der J. S. Bach-Stiftung, Rudolf Lutz | B Major | 2 | 1B | 106 BPM | ||
| Messiah, HWV 56: Part 1: O thou that tellest good tidings to Zion (Air) | Nikolaus Harnoncourt | D♭ Major | 1 | 3B | 76 BPM | ||
| An Evening Hymn | Emma Kirkby, Richard Stangroom, St. Albans Chamber Choir | F Major | 1 | 7B | 65 BPM | ||
| Hohe Messe in B Minor, BWV 232: No. 24, Osanna in exelsis | Johann Sebastian Bach, Merseburger Hofmusik, Collegium Vocale Leipzig, Michael Schönheit, Gerlinde Samann, Henriette Gödde, Falk Hoffmann, Andreas Scheibner | D♭ Major | 5 | 3B | 182 BPM | ||
| Solomon, HWV 67, Act I Scene 1: No. 8 "Throughout the land Jehovah's praise record" (Chorus of Israelites) | George Frideric Handel, RIAS Kammerchor, Akademie für Alte Musik Berlin, Daniel Reuss | E Major | 2 | 12B | 73 BPM | ||
| Messiah, HWV 56: Part 2: Thy rebuke hath broken His heart (Accompagnato) | Nikolaus Harnoncourt | D Major | 0 | 10B | 103 BPM | ||
| Handel: Coronation Anthem No. 3, HWV 260 "The King Shall Rejoice": I. The King Shall Rejoice | George Frideric Handel, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury, Alastair Ross | D♭ Major | 2 | 3B | 114 BPM | ||
| Messa a 5 Concertata: IX. Domine Deus, Rex coelestis | Giovanni Paolo Colonna, Chœur De Chambre De Namur, Cappella Mediterranea, Leonardo García-Alarcón, Elizaveta Sveshnikova, Mariana Flores, Paul-Antoine Bénos-Djian | E♭ Minor | 1 | 2A | 60 BPM | ||
| Emily — No Prisoner Be: No. 24, ‘Tis true - They shut me in the Cold | Kevin Puts, Time For Three, Joyce DiDonato | B Major | 2 | 1B | 91 BPM | ||
| Missa Dolorosa: VI. Agnus Dei | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
| Requiem In C Major: III. Introitus, Exaudi | Johann Adolf Hasse, Il Fondamento, Paul Dombrecht, Susanna Moncayo Von Hase | B Minor | 3 | 10A | 82 BPM |