Shikha Rana, Satya Rana's ' "Hamare Saath Bholenath To Kis Baat Ki Chinta" was released on its scheduled release date, August 2, 2024. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Hamare Saath Bholenath To Kis Baat Ki Chinta and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. Based on our statistics, Hamare Saath Bholenath To Kis Baat Ki Chinta's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Hamare Saath Bholenath To Kis Baat Ki Chinta by Shikha Rana, Satya Rana to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Milta Hai Saacha Sukh Kewal (Ardaas) | Simran Bumrah Insan | D♭ Major | 4 | 3B | 82 BPM | ||
| Aayega Leele Chadh Sanwra Aayega | Kuldeep Arya | A♭ Major | 7 | 4B | 112 BPM | ||
| Tu Duniya Basa Lena | Tahir Chishti | F Minor | 7 | 4A | 168 BPM | ||
| Tara Tara Deke Deke | Apu Debnath, Sachidulal Chattopadhyay, Puspita Sill | A Minor | 5 | 8A | 110 BPM | ||
| Taru Jeevan Anokhu Che | Divyang Ray | B♭ Major | 5 | 6B | 170 BPM | ||
| Ulai Aaha | Dr Anima Choudhury, Tarali Sarma, Ambalika, Group | F♯ Major | 10 | 2B | 128 BPM | ||
| Nishi Bhor Holo | Tasmee | B♭ Minor | 7 | 3A | 92 BPM | ||
| Me To Jou Re Sanwriya Thari Baat | Rachna Sanwra | E Minor | 9 | 9A | 160 BPM | ||
| Saya Bankar Har Pal | Reshmi Sharma | A Major | 6 | 11B | 161 BPM | ||
| Apon Apon Bolo Kare | Sukumar Baul | A Minor | 7 | 8A | 120 BPM | ||
| Satyam Chipam Andaram | Sheetal Pandey | A Minor | 5 | 8A | 174 BPM | ||
| Jai Chhattisgarh | Anuj Sharma, Bharti Bandhu, Madan Chouhan, Dilip Shadangi, Rakesh Tiwari, Sunil Soni, Dukalu Yadav, Anurag Sharma, Monika Verma | A Major | 6 | 11B | 109 BPM | ||
| Sunu Sunu Bhola | Amit Jha | F♯ Major | 5 | 2B | 147 BPM | ||
| Ayiel Jhareliya Jhulla Me | Manoj Mishra, Vinay Bihari | F♯ Minor | 9 | 11A | 120 BPM | ||
| Chal Gora Rani Mela Dikha Du Haridwar | Chanchal Prajapati | F♯ Minor | 9 | 11A | 100 BPM | ||
| Shunno Bari | Momtaz, Fazlur Rahman Babu | B Major | 7 | 1B | 100 BPM | ||
| Ram Bhajan Gaa Le Mann | Arunita Kanjilal | G Major | 6 | 9B | 114 BPM | ||
| Dushtu meye | Mita Chatterjee | B♭ Major | 3 | 6B | 95 BPM | ||
| Saiya Chusani Chusata | Rekha Rao | D♭ Minor | 10 | 12A | 170 BPM | ||
| Bandar Ne Kholi Dukaan | Kids Channel India | E Minor | 7 | 9A | 180 BPM | ||
| 10 Mahavidya Stotra | Abhishek Sharma | F Major | 6 | 7B | 96 BPM | ||
| Dhadhak Dhinakdhin | MANOJ TIWARI, Bela Sulakhe, Rekha Rao, Sumeet Baba | C Major | 5 | 8B | 97 BPM | ||
| Bhola Eja Nandi Ma | Khushi Joshi | G Minor | 9 | 6A | 207 BPM | ||
| Kanaiar Preme | Pousali Banerjee | F♯ Major | 4 | 2B | 150 BPM | ||
| Tu Hi Tu Hi Nirankari Song - Hindi | Karan Kumar Nm | A♭ Major | 4 | 4B | 136 BPM |