Dianne Reeves's ' "Old Souls" was released on its scheduled release date, January 1, 2002. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "The Best Of Dianne Reeves". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. In terms of popularity, Old Souls is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Old Souls by Dianne Reeves having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Teach Me Tonight | Al Jarreau | D Major | 3 | 10B | 206 BPM | ||
| It Ain't Necessarily So (feat. Byron Stripling) | Nicki Parrott, Byron Stripling | F Minor | 4 | 4A | 109 BPM | ||
| Let's Waste Some Time | Molly Johnson | F♯ Major | 4 | 2B | 118 BPM | ||
| Something Cool | Tierney Sutton | D♭ Major | 1 | 3B | 112 BPM | ||
| Embraceable You | Lisa Lovbrand | C Major | 1 | 8B | 72 BPM | ||
| You Don't Know What Love Is | Cassandra Wilson | A♭ Minor | 0 | 1A | 86 BPM | ||
| Brazilian Love Affair / Up From The Sea It Arose and Ate Rio In One Swift Bite | Al Jarreau, Dianne Reeves | D Major | 8 | 10B | 118 BPM | ||
| Will You Love Me Tomorrow? | Ann Hampton Callaway | C Major | 2 | 8B | 82 BPM | ||
| Spring Can Really Hang You Up The Most | Nicole Zuraitis, Carmen Staaf | B♭ Major | 1 | 6B | 77 BPM | ||
| Smoke Gets In Your Eyes/All the Things You Are | Roberta Gambarini | D Major | 2 | 10B | 117 BPM | ||
| A Sunday Kind Of Love | Ruth Cameron | C Minor | 2 | 5A | 126 BPM | ||
| Waiting in Vain | Nicole Henry, Gregoire Maret | A Major | 4 | 11B | 72 BPM | ||
| Love Makes Me Sing | The Baylor Project | E Minor | 7 | 9A | 94 BPM | ||
| You Go To My Head | Adonis Rose, Ryan Hanseler, Lex Warshawsky | C Major | 4 | 8B | 93 BPM | ||
| Stay Awake | Ronnie Laws | D Major | 6 | 10B | 138 BPM | ||
| So Good, So Right | Brenda Russell | D Major | 4 | 10B | 145 BPM | ||
| Fool Me Once | Lindsey Webster | B♭ Minor | 4 | 3A | 105 BPM | ||
| When October Goes | Nancy Wilson | F Minor | 0 | 4A | 91 BPM | ||
| Take The "A" Train | Lionel Hampton, Dianne Reeves | B♭ Major | 3 | 6B | 87 BPM | ||
| If You Could See Me Now | Vanessa Rubin | E Minor | 1 | 9A | 114 BPM | ||
| Loran's Dance | Michael Brecker / Randy Brecker / Joe Sample | F♯ Major | 6 | 2B | 78 BPM | ||
| I'll Still Be Lovin' You | Fourplay | E Major | 4 | 12B | 94 BPM | ||
| Let's Fall In Love | Ann Hampton Callaway | A♭ Major | 3 | 4B | 137 BPM | ||
| I Think I'll Call It Morning | Charenee Wade | F Major | 4 | 7B | 62 BPM | ||
| Never Let You Go | Joe McBride | B♭ Minor | 6 | 3A | 83 BPM |