Ray Fulcher's 'John Wayne' had a release date set for June 10, 2022. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Spray Painted Line". In this album, this song's track order is #6. John Wayne is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With John Wayne by Ray Fulcher having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Red, White, Blue Collar Town | Blane Rudd | A Major | 8 | 11B | 120 BPM | ||
| Make A Little Room | Steve Moakler | D♭ Major | 7 | 3B | 146 BPM | ||
| Where That Beer's Been | Travis Denning | A♭ Major | 8 | 4B | 164 BPM | ||
| I Get That With You | Josh Melton | A Major | 8 | 11B | 106 BPM | ||
| 18 Forever | Walker McGuire | E Minor | 8 | 9A | 142 BPM | ||
| Every Other Memory | Ryan Hurd | C Major | 7 | 8B | 103 BPM | ||
| Right Where I Left It | Cole Swindell | C Major | 9 | 8B | 102 BPM | ||
| I Can Tell You’re Small Town | Noah Hicks | F♯ Major | 8 | 2B | 164 BPM | ||
| Cocktail Conversations | Roman Alexander | G Major | 7 | 9B | 146 BPM | ||
| Cutting Grass | Josh Melton | D♭ Major | 6 | 3B | 136 BPM | ||
| Another Love Song | James Dupré | F♯ Major | 7 | 2B | 127 BPM | ||
| Hate Me in My Hometown | Chris Colston | B Minor | 8 | 10A | 148 BPM | ||
| Love, Cold Beer, Cheap Smoke | Elvie Shane | A Major | 9 | 11B | 122 BPM | ||
| That Ain't Me No More | Matt Stell | C Major | 8 | 8B | 152 BPM | ||
| Cold Case | Jameson Rodgers | D♭ Major | 8 | 3B | 154 BPM | ||
| Life Changing Money | Ray Fulcher | D Major | 8 | 10B | 75 BPM | ||
| Heaven On Dirt | Teddy Robb | B♭ Major | 8 | 6B | 150 BPM | ||
| Give Me Three Minutes | Stephen Paul | D♭ Major | 9 | 3B | 114 BPM | ||
| Raised on the Radio | Noah Hicks | G Major | 8 | 9B | 140 BPM | ||
| In A Bar Somewhere | Josh Phillips | F♯ Major | 7 | 2B | 140 BPM | ||
| Slow as I Could | Mitch Rossell | A Major | 8 | 11B | 117 BPM | ||
| 90 Proof Pour | Nathan Merovich | A♭ Major | 6 | 4B | 147 BPM | ||
| 24 | Johnny Dailey | D♭ Major | 7 | 3B | 148 BPM | ||
| Can't Stay Here | Tucker Beathard | B Major | 7 | 1B | 201 BPM | ||
| Waitin' on 5 | Chris Janson | D♭ Major | 9 | 3B | 160 BPM |