Rattan Mohan Sharma's ' "Saanj Savere Hari Hari" was released on its scheduled release date, March 20, 1998. This song is about six minutes long, preciously at 5:56, making this song fairly long compared to other songs. The track order of this song in Acharya Mridul Krishan Shastri, Rattan Mohan Sharma, Suresh Wadkar's "Hari Bol Hari Bol (Krishna Bhajan)" album is number 5 out of 7. On top of that, India appears to be the country where this track was created. In terms of popularity, Saanj Savere Hari Hari is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Saanj Savere Hari Hari by Rattan Mohan Sharma to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Parmeshthi Vandana | Hemlata Lalani | D♭ Minor | 4 | 12A | 125 BPM | ||
| Vaishno Mata Aarti | Nidhi Nigam, Ashish Tiwari | E♭ Major | 5 | 5B | 90 BPM | ||
| Bajrang Baan | Rattan Mohan Sharma | E♭ Major | 7 | 5B | 82 BPM | ||
| Achandala Pratihatarayo | Ramakrishna Math, Swami Sarvagananda, Swami Narendrananda | F♯ Major | 7 | 2B | 113 BPM | ||
| Sri Krishna Chaitanya Prabhu | Swarup Damodar Prabhu | C Major | 2 | 8B | 96 BPM | ||
| Thumaka Chalata Ramchandra | Sarbani | D Major | 7 | 10B | 110 BPM | ||
| Shree Swami Samarth Jap - 108 Times | Anjali Marathe | F♯ Major | 1 | 2B | 35 BPM | ||
| Saraswati Namastubhyam Varde Kaamrupini | Sumeet Tappoo | D♭ Major | 4 | 3B | 100 BPM | ||
| Om Hanu Hanumate Namah | Vivek Prakash | D♭ Major | 3 | 3B | 86 BPM | ||
| Ramam Bhajo Raghu Ramam Bhajo | Sri Sathya Sai Bhajans | E♭ Minor | 5 | 2A | 153 BPM | ||
| Ranchhod Bavni | Dr. Dipali Bhatt, Foram Maheta, Ninad Maheta, Vijay Parmar | F Major | 8 | 7B | 139 BPM | ||
| Jay Saraswati Mata | Satish Dehra | F Major | 5 | 7B | 92 BPM | ||
| Mahavir Vandana | Gaurav Jain, Deepshikha Jain, Dr. Hukamchand Bharill | E♭ Major | 3 | 5B | 110 BPM | ||
| Chalo Bhole Baba Ke Dware | Hariharan | A♭ Major | 5 | 4B | 114 BPM | ||
| Sri Ganapathi Dhyana Shlokam | Madhu Balakrishnan, Manu | B♭ Major | 3 | 6B | 125 BPM | ||
| Hari Hari Narayan | Acharya Mridul Krishan Shastri | B Major | 6 | 1B | 139 BPM | ||
| SHREE VYANKATESH STOTRA | Gayatri Dhareshwar | A Major | 3 | 11B | 117 BPM | ||
| Maam Vilokya | Jagjit Singh | C Major | 4 | 8B | 88 BPM | ||
| Shree Pragyavivardhanam Mantra | Rekha Bhardwaj | B♭ Major | 2 | 6B | 134 BPM | ||
| Dhoon | Anoopam Mission, Dipti Desai, Dyuti Buch | D♭ Major | 5 | 3B | 110 BPM | ||
| Hanuman Aarti (Jai Kapesh Jai Jai Hanuman) | Rattan Mohan Sharma | G Major | 6 | 9B | 77 BPM | ||
| Durga Saptshati Shashtham Adhyaya | SHRI PREM PRAKASH DUBEY | A Major | 4 | 11B | 84 BPM | ||
| Ambey Tu Hai Jagdambe Kaali Jai Durge Khappar Wali | Shyam Saajan, Supriya | E♭ Major | 7 | 5B | 98 BPM | ||
| Hanumad Gayatri | Rattan Mohan Sharma | G Major | 6 | 9B | 77 BPM | ||
| Sky Mantra | Bharati Corinna Glanert | F Minor | 4 | 4A | 80 BPM |