"Matriarch" by Veil Of Maya had its release date on May 4, 2015. With This song being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Veil Of Maya's "Matriarch" album is number 9 out of 12. On top of that, United States appears to be the country where this track was created. Based on our statistics, Matriarch's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Matriarch by Veil Of Maya to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pray the Martyr | Shokran | A Major | 10 | 11B | 135 BPM | ||
| Floods of Colour | The Safety Fire | E Minor | 9 | 9A | 132 BPM | ||
| Hestehov | Mirar | B Minor | 9 | 10A | 200 BPM | ||
| Follow | The Afterimage | D Major | 10 | 10B | 98 BPM | ||
| Fourthirtytwo - Intro | Oceans Ate Alaska | D♭ Major | 9 | 3B | 127 BPM | ||
| MAKE TOTAL DESTROY | Periphery | B♭ Minor | 10 | 3A | 105 BPM | ||
| In Flux | After The Burial | D Minor | 9 | 7A | 147 BPM | ||
| Knot | Chon | G Major | 9 | 9B | 140 BPM | ||
| Codex | Veil Of Maya | G Major | 9 | 9B | 95 BPM | ||
| Heaven Was Pure Hell | Ghost Iris | E Minor | 9 | 9A | 130 BPM | ||
| Bruised & Broken | I The Breather | D Minor | 9 | 7A | 160 BPM | ||
| Lila | Alluvial | D♭ Major | 9 | 3B | 118 BPM | ||
| The Event | Periphery | B♭ Minor | 9 | 3A | 91 BPM | ||
| XV | Jason Richardson, Luke Holland | F Minor | 7 | 4A | 78 BPM | ||
| Straightjacket | Sirens And Sailors | G Major | 10 | 9B | 105 BPM | ||
| Sapphire | The Afterimage | B♭ Major | 10 | 6B | 84 BPM | ||
| Collapse | Drewsif | A Minor | 9 | 8A | 120 BPM | ||
| Private Visions of the World | Animals As Leaders | D♭ Minor | 8 | 12A | 114 BPM | ||
| Kill 'Em With Guidance | This Or The Apocalypse | B Major | 10 | 1B | 118 BPM | ||
| Nine Summers | After The Burial | D♭ Major | 10 | 3B | 136 BPM | ||
| Damar | David Maxim Micic | C Minor | 8 | 5A | 106 BPM | ||
| Prison Born | The Faceless | A♭ Major | 9 | 4B | 130 BPM | ||
| Prelude for a Ghost | Glass Cloud | D♭ Major | 2 | 3B | 136 BPM | ||
| The Start Of Something Beautiful | I Built the Sky | F Major | 8 | 7B | 120 BPM | ||
| Glimpse | One Decade | B Major | 10 | 1B | 120 BPM |