Tom Salta's 'No End in Sight' had a release date set for May 18, 2010. With This song being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 36 in the song's album "Prince of Persia: The Forgotten Sands (Wii) [Original Game Soundtrack]". In this album, this song's track order is #28. Furthermore, we believe that the track originated from Canada. Based on our statistics, No End in Sight's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With No End in Sight by Tom Salta having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Kreisau Circle | Mick Gordon | G Minor | 4 | 6A | 93 BPM | ||
| Police Theme - A Small Margin for Error | Zack Bower, Dan Liston | C Major | 2 | 8B | 94 BPM | ||
| Armored Prayer | Steve Jablonsky, Gears of War | E Minor | 6 | 9A | 175 BPM | ||
| Load Out | Paul Haslinger | E Minor | 4 | 9A | 92 BPM | ||
| Prologue | Cris Velasco, Sascha Dikiciyan | G Major | 2 | 9B | 111 BPM | ||
| Final Confrontation | Tom Salta, Aeralie Brighton, Various Artists | D Minor | 3 | 7A | 76 BPM | ||
| Stampede | Tom Salta | G Major | 9 | 9B | 140 BPM | ||
| Nemesis' Theme | Masami Ueda | D Major | 1 | 10B | 111 BPM | ||
| The Imperium | Dmitry V. Silantyev | A Minor | 5 | 8A | 91 BPM | ||
| Hammer Meet Anvil | Steve Jablonsky | D♭ Major | 5 | 3B | 160 BPM | ||
| Exfiltrate the Hotzone | Ludvig Forssell | D♭ Major | 6 | 3B | 102 BPM | ||
| Judgment | Steve Jablonsky, Jacob Shea, Gears of War | D♭ Major | 2 | 3B | 120 BPM | ||
| Trapped In Amber | Halo, Paul Lipson, Lennie Moore, Tom Salta, Brian Trifon, Brian Lee White | A Minor | 10 | 8A | 121 BPM | ||
| Atlas HQ - State of The Art | Michael McCann | A Major | 4 | 11B | 128 BPM | ||
| Grakata | Keith Power | B Minor | 7 | 10A | 117 BPM | ||
| The Fall of Reach | Halo, Tom Salta | B♭ Major | 1 | 6B | 74 BPM | ||
| The Earth Mother | Tom Salta | F Major | 5 | 7B | 144 BPM | ||
| Vanguard | Bear McCreary | F Minor | 5 | 4A | 90 BPM | ||
| Mars | Sam Hulick | E♭ Major | 5 | 5B | 120 BPM | ||
| Emerald Vale | Justin E. Bell | A♭ Major | 2 | 4B | 102 BPM | ||
| Reverie | Curtis Schweitzer | F Major | 6 | 7B | 102 BPM | ||
| Assassins | Christopher Drake | D Major | 6 | 10B | 140 BPM | ||
| Defying the Haoma | Tom Salta | F Major | 4 | 7B | 125 BPM | ||
| Embry Square | Kevin Riepl | G Minor | 3 | 6A | 80 BPM | ||
| Deathstroke | Christopher Drake | D♭ Major | 6 | 3B | 87 BPM |