"Tracing The Outline - Movement 1" by John Metcalfe, Matthew Barley had its release date on May 10, 2010. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Tracing The Outline - Movement 1's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 15 in Constant Filter by John Metcalfe, Matthew Barley, Ashley Wass. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Tracing The Outline - Movement 1 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tracing The Outline - Movement 1 by John Metcalfe, Matthew Barley is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Caves and Burrows | Simon Richmond, John Metcalfe | D♭ Major | 6 | 3B | 172 BPM | ||
| Hollow in the Ferns | Craig Armstrong | D Minor | 1 | 7A | 85 BPM | ||
| Shadow Journal | Max Richter, Tilda Swinton, Louisa Fuller, Natalia Bonner, John Metcalfe, Philip Sheppard, Chris Worsey | G Minor | 1 | 6A | 143 BPM | ||
| Apprehension, Pt. 1 - Thomas E Rouch Rework | Illuminine, Thomas E Rouch | B Minor | 0 | 10A | 91 BPM | ||
| Black Dog | Autonomy | E Major | 3 | 12B | 78 BPM | ||
| Gold, Green | John Metcalfe | E Major | 4 | 12B | 105 BPM | ||
| Unborn | Peter Sandberg | A Minor | 0 | 8A | 76 BPM | ||
| All In Circles | Shida Shahabi | A♭ Major | 1 | 4B | 146 BPM | ||
| Pauvre Simon | Sylvain Chauveau | A Minor | 2 | 8A | 147 BPM | ||
| Elegie I | Luca Longobardi | C Major | 1 | 8B | 104 BPM | ||
| The North Wind - Daigo Hanada Re-work | Jim Perkins, Daigo Hanada | F Minor | 1 | 4A | 169 BPM | ||
| Nuit | Tony Anderson, Bonnie Brooksbank, Lara Somogyi, Christopher Dennis Coleman, Timbre | A Minor | 1 | 8A | 110 BPM | ||
| Wrapped - Radio Edit | John Metcalfe, Rosie Doonan | G Minor | 6 | 6A | 143 BPM | ||
| An Ending (Ascent) - Remastered 2005 | Brian Eno | A♭ Major | 1 | 4B | 67 BPM | ||
| Familiar | Nils Frahm | E♭ Minor | 4 | 2A | 130 BPM | ||
| Marguerite Gachet At The Piano | Clint Mansell | D Minor | 1 | 7A | 106 BPM | ||
| The Crying Room | John Metcalfe, Everton Nelson | G Major | 1 | 9B | 122 BPM | ||
| The Armstrongs | Justin Hurwitz | G Minor | 2 | 6A | 120 BPM | ||
| So Clear | John Metcalfe | G Major | 1 | 9B | 71 BPM | ||
| Berceuse | Felix Rösch | C Minor | 0 | 5A | 130 BPM | ||
| Palemote | Slow Meadow | A Major | 2 | 11B | 78 BPM | ||
| Corals Under the Sun | Yehezkel Raz, Sivan Talmor | D Major | 0 | 10B | 67 BPM | ||
| Spare | Luke Howard | D♭ Minor | 1 | 12A | 63 BPM | ||
| Lachrymosia | Slow Meadow | D Minor | 1 | 7A | 118 BPM | ||
| Parsifal | Christian Löffler | F Minor | 2 | 4A | 120 BPM |