Hossein Inanloo's 'Bayat Esfahan VIII' had a release date set for January 27, 2012. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Bayat Esfahan VIII's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Roam (Parseh) - Persian Classical Music". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Iran. Based on our statistics, Bayat Esfahan VIII's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bayat Esfahan VIII by Hossein Inanloo having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Delkash Part I | Mohammad Reza Lotfi | A♭ Major | 1 | 4B | 108 BPM | ||
| Ranaa | Sima Bina | E Major | 4 | 12B | 123 BPM | ||
| Voice Of Endearment | Shahram Nazeri | D♭ Minor | 3 | 12A | 84 BPM | ||
| Shox | Karzan Faruq | D Minor | 4 | 7A | 164 BPM | ||
| Days Go On | Murat Aydemir, Volkan Ertem | E Minor | 3 | 9A | 156 BPM | ||
| Daramad Abouata | Behdad Babaei, Navid Afghah | G Major | 3 | 9B | 124 BPM | ||
| Santur Solo In Abuata | Ali Bahrami Fard, Farshid Bozorgy | D Minor | 3 | 7A | 104 BPM | ||
| Aman Hey Aman | Hamed Shirbeygi | A Minor | 7 | 8A | 120 BPM | ||
| Achchiq haqiqat - Ikkinchi versiya | Sherali Jo'rayev | D♭ Minor | 4 | 12A | 82 BPM | ||
| Shaahkhataayi Old | Sima Bina | G Minor | 4 | 6A | 167 BPM | ||
| Ya Shāh to Bā Man Bāshi | Ostad Elahi | F♯ Major | 3 | 2B | 92 BPM | ||
| Kojaei | Mohammad Motamedi | B♭ Minor | 1 | 3A | 95 BPM | ||
| Untold Secret | Shahram Nazeri | B♭ Minor | 2 | 3A | 137 BPM | ||
| Moghadameh & Avaz | Mozaffar Shafiee, Hossein Inanlou, Hesam Inanlou | G Major | 4 | 9B | 90 BPM | ||
| Khanjar Neshin | Parvaz Homay, Babak Zarrin | D Minor | 4 | 7A | 80 BPM | ||
| I Wept only for the whiteness of the horse, Pt. 1 | Hesam Inanlou, Anders Hagberg, Farzaneh Mahdizadeh | G Minor | 2 | 6A | 57 BPM | ||
| Oj | Mozaffar Shafiee, Hesam Inanlou, Hossein Inanloo | B Major | 2 | 1B | 88 BPM | ||
| Avaze Masnavi | Shahram Nazeri | G Minor | 3 | 6A | 116 BPM | ||
| Solo Santur | Ali Bahrami Fard, Hadi Azarpira | E Minor | 6 | 9A | 123 BPM | ||
| Maqam Bayeh Bayeh | Seyed Khalil Alinejad, Ramin Kakavand | G Minor | 5 | 6A | 140 BPM | ||
| رجامندم پس از مرگم سر خاکم بيايی | Abdurrahim Chah Abe | E♭ Minor | 7 | 2A | 107 BPM | ||
| Kasian | Siavash Kamkar, Mehrzad Azamikia | B♭ Major | 5 | 6B | 101 BPM | ||
| Bigonah | Marzieh, Homayoun Khorram | F Major | 2 | 7B | 113 BPM | ||
| Meçhul 1 | Sercan Öztürk | E Minor | 2 | 9A | 92 BPM | ||
| Chahar Mezrab | Faramarz Payvar, Hosein Tehrani | A♭ Major | 5 | 4B | 185 BPM |