Elmer Bernstein's ' "Theme (From "The Magnificent Seven") - From "The Magnificent Seven"" was released on its scheduled release date, January 1, 1999. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Elmer Bernstein's "Great Composers: Elmer Bernstein" album is number 1 out of 16. On top of that, United States appears to be the country where this track was created. Theme (From "The Magnificent Seven") - From "The Magnificent Seven" is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Theme (From "The Magnificent Seven") - From "The Magnificent Seven" by Elmer Bernstein to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nice One Skippy | Peter Best | A Major | 3 | 11B | 144 BPM | ||
| Hoedown | Vienna Symphony Orchestra | A Minor | 5 | 8A | 136 BPM | ||
| I'll Never Be Hungry Again! | Max Steiner | C Major | 2 | 8B | 80 BPM | ||
| An American Symphony (Mr. Holland's Opus) [Mr Holland's Opus] | Michael Kamen, Dominic Miller, Pino Palladino, Jim Keltner, London Metropolitan Orchestra | C Major | 3 | 8B | 121 BPM | ||
| Finale (William Tell Overture) | Hans Zimmer | D♭ Minor | 9 | 12A | 142 BPM | ||
| Fireflash Landing | Barry Gray | D Major | 8 | 10B | 124 BPM | ||
| Twister | Mark Mancina | C Major | 2 | 8B | 131 BPM | ||
| Driving | Hans Zimmer | C Major | 1 | 8B | 135 BPM | ||
| Now, Voyager | Charles Gerhardt, National Philharmonic Orchestra | A Major | 3 | 11B | 101 BPM | ||
| Post Engines, Pre-flight | Blake Neely | C Major | 1 | 8B | 76 BPM | ||
| If I Had Words | Melbourne Symphony Orchestra, Nigel Westlake | G Major | 3 | 9B | 105 BPM | ||
| Star Trek I (Original Theme) | Alexander Courage, Richard Hayman, Philharmonic Rock Orchestra | F Major | 3 | 7B | 66 BPM | ||
| Prelude and Overture | Alfred Newman, Lee Herschberg | B♭ Major | 3 | 6B | 88 BPM | ||
| Main Title - Walk on the Wild Side, 1962 | Barbara Stanwyck, Elmer Bernstein | F Major | 4 | 7B | 111 BPM | ||
| Achievement | Jack Trombey | D Minor | 0 | 7A | 144 BPM | ||
| Main Title - From "The Last Of The Mohicans" | Trevor Jones | D Minor | 3 | 7A | 178 BPM | ||
| Main Title | Elmer Bernstein | A Major | 0 | 11B | 78 BPM | ||
| McQuade's Theme | Francesco De Masi | E♭ Major | 2 | 5B | 78 BPM | ||
| Nimrod (From the Enigma Variations) | Edward Elgar | E♭ Major | 3 | 5B | 103 BPM | ||
| Theme of Exodus (from "Exodus", 1960 Film Score) | Ernest Gold, Twentieth Century-Fox Studio Orchestra | B Minor | 2 | 10A | 116 BPM | ||
| Flight to Neverland (From "Hook") | John Williams, Boston Pops Orchestra | C Major | 3 | 8B | 82 BPM | ||
| Theme from E.T. (The Extra-Terrestrial) | Ron Goodwin | C Major | 3 | 8B | 140 BPM | ||
| Into the Starscape | Craig Safan | E♭ Major | 2 | 5B | 113 BPM | ||
| Home Again: End Credits | Leonard Rosenman | C Major | 3 | 8B | 121 BPM | ||
| Reunion | Max Steiner | G Major | 2 | 9B | 183 BPM |