Ivor Cutler's ' "Fremsley" was released on its scheduled release date, January 1, 1974. The duration of This song is about 3 minutes long, at 3:13. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 45 in Dandruff by Ivor Cutler. Based on our statistics, Fremsley's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Fremsley by Ivor Cutler is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Thirty-foot Trailer | The Watersons | F Major | 2 | 7B | 77 BPM | ||
| This Bloke Came Up to Me | Derek & Clive | G Major | 1 | 9B | 79 BPM | ||
| My Days Are Not Over For Me (1993) | Charles Joseph Smith | B Minor | 2 | 10A | 90 BPM | ||
| Going To San Diego | Allen Ginsberg | F Major | 6 | 7B | 160 BPM | ||
| I Worn My Elbows | Ivor Cutler | F♯ Major | 0 | 2B | 80 BPM | ||
| Eze | tilobezi | E♭ Minor | 1 | 2A | 146 BPM | ||
| Reasons to Be Cheerful, Pt.3 | Ian Dury, The Blockheads | G Major | 7 | 9B | 118 BPM | ||
| On My Side Of The Moon | Saul & The Lonely Band | B Minor | 2 | 10A | 90 BPM | ||
| Opening | Sandra Kerr, John Faulkner | D Major | 0 | 10B | 98 BPM | ||
| We Give You Praise | Sambach | E♭ Major | 2 | 5B | 129 BPM | ||
| Records | Derek & Clive | D♭ Major | 0 | 3B | 73 BPM | ||
| Charlie Parker (with Steve Allen) | Jack Kerouac | F Major | 2 | 7B | 123 BPM | ||
| Twenty Four Hour Garage People | Half Man Half Biscuit | E Major | 2 | 12B | 94 BPM | ||
| Hey There Little Insect (Live) | Jonathan Richman, The Modern Lovers | A Major | 2 | 11B | 104 BPM | ||
| Green Grow the Rashes, O (Live) | Michael Marra, Mr McFall's Chamber | E♭ Major | 3 | 5B | 126 BPM | ||
| Farewell To The Gold | Nic Jones | F Major | 2 | 7B | 94 BPM | ||
| The Humpback Whale | Nic Jones | F Major | 2 | 7B | 94 BPM | ||
| Mrs Worthington | Noel Coward | E♭ Major | 2 | 5B | 137 BPM | ||
| Tree (Today Is an Important Occasion) | David Byrne | C Major | 1 | 8B | 72 BPM | ||
| Steady Job | Ivor Cutler | A♭ Major | 2 | 4B | 133 BPM | ||
| Some Old Salty | Lal Waterson, Oliver Knight | B♭ Minor | 4 | 3A | 71 BPM | ||
| Here Come The Fleas | White Noise | G Major | 5 | 9B | 111 BPM | ||
| Pickle Your Knees | Ivor Cutler | A♭ Major | 2 | 4B | 133 BPM | ||
| I'm Happy | The Ivor Cutler Trio | F Major | 5 | 7B | 130 BPM | ||
| Desert Places | Robert Frost | G Major | 1 | 9B | 114 BPM |