Razz T's 'Blues from Nowhere' had a release date set for March 8, 2024. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Blues from Nowhere's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Blues from Nowhere and no other songs are present in the album, we classify this track as a single. Blues from Nowhere is below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Blues from Nowhere by Razz T is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Cat And The Moon | Armel Dupas | A♭ Major | 1 | 4B | 200 BPM | ||
| Some Other Time | Chuck Ingels | F Major | 0 | 7B | 96 BPM | ||
| The Hours Between | High North Trio | D Major | 1 | 10B | 105 BPM | ||
| Stockholm | Karl-Erik Trio | A Major | 1 | 11B | 108 BPM | ||
| She Is | Razz T | F Major | 1 | 7B | 97 BPM | ||
| Stellar | Yorkville | F Minor | 1 | 4A | 104 BPM | ||
| Fragments of the Past | Jonah Anderson | C Major | 1 | 8B | 101 BPM | ||
| Anthropology | Rasmus H Thomsen | B♭ Major | 1 | 6B | 91 BPM | ||
| We've Met Before | Smooth Heisters | B♭ Major | 2 | 6B | 113 BPM | ||
| Movements Like This | Natura Nota | A♭ Major | 0 | 4B | 79 BPM | ||
| Holding You Lightly | Warm Blanket | A Major | 2 | 11B | 109 BPM | ||
| More Into This | Charles Daisey & Friends | E Minor | 1 | 9A | 93 BPM | ||
| Saint Street | Trent Garner | E Major | 0 | 12B | 108 BPM | ||
| Her Eyes | Leigh Daniels | G Minor | 0 | 6A | 119 BPM | ||
| Not Seeing Past | Annie Berenson | B♭ Major | 2 | 6B | 89 BPM | ||
| Central Park West | Charles Daisey & Friends | A♭ Major | 2 | 4B | 77 BPM | ||
| Mystery Girl | Oscar Neall | F Major | 0 | 7B | 68 BPM | ||
| Fun to Be Fooled | Karl-Erik Trio | G Major | 1 | 9B | 89 BPM | ||
| Longing For | R J Markus, Rasmus H Thomsen | E Minor | 1 | 9A | 130 BPM | ||
| Nature Boy | Softhand | D♭ Major | 0 | 3B | 132 BPM | ||
| Ten dollars fare | Fred Mitchell | B♭ Major | 0 | 6B | 65 BPM | ||
| The Meaning of Love | Timothy Reisen | G Major | 0 | 9B | 68 BPM | ||
| Easing In | Edward Blythe | G Major | 0 | 9B | 86 BPM | ||
| Transcendence No. 4 | Hunter Brown | D♭ Minor | 0 | 12A | 86 BPM | ||
| When You Come Home | Charles Blake | E♭ Major | 0 | 5B | 69 BPM |